Missal for the Diocese of Basel, created around 1460. This richly illustrated volume was part of a donation by the widow Margaretha Brand († 1474) to the Carthusian Monastery of Basel. It was used at the altar of the holy Virgin in the small cloister of the Carthusian Monastery. In terms of art history, the manuscript can be assigned to the "Vullenhoe-Gruppe." (stu)

First part of a two-volume edition of Gregory's Moralia in Iob. From the Carthusian Monastery, purchased at the Council of Basel. The main part of the manuscript was written at the turn from the 11th to the 12th century; the Tabula found at the very beginning and very end of the volume was added in the 13th century. The earlier provenance of the manuscript is not clear, but an origin in common with the second volume (B I 13a) stands to reason. (stu)

Second part of a two-volume edition of Gregory's Moralia in Iob. This volume from the end of the 12th century, richly decorated with initials, was purchased at the Council of Basel for the Carthusian Monastery of Basel and was augmented at the monastery by the scribe Heinrich von Vullenhoe. The provenance of the volume is not certain. An erased note of ownership of the Monastery of S. Maria in Insula could refer to the Premonstratensian Abbey of Marienwerd in Goldern or to the Cistercian Abbey of Notre Dame de l'Ile-de-Ré near La Rochelle. The first volume (B I 12) probably has the same origin. (stu)

Although it contains no note of ownership, the old title label with its shelfmark in red, as well as traces of a chain indicate that this volume might belong with the manuscripts of the Cathedral Chapter of Basel. Also, the transcription of the dated second part falls into the tenure of the bibliophile Bishop Johannes von Venningen (1458-1478). This volume contains the sentences of Taio (died 682) and Gregory the Great's sermons on the Gospels; it is decorated with small grotesque figures, little hands and letters with elongated shafts. (flr)

Bishop Paul of Burgos, who converted from Judaism to Christianity at the end of the 14th century, composed the Additiones to the postil of Nicholas of Lyra and the Scrutinium scripturarum to prove that belief in Christ corresponds to a literal understanding of the Old Testament. This manuscript was created in 1436/37 and is from the Dominican Monastery of Basel. (flr)

This manuscript, sparingly decorated with foliate and figure initials, was produced at the end of the 12th century and belonged to the Carthusian Monastery of Basel. In addition to the glossed cantica ad laudes et ferialia, it primarily contains the Psalter with the glossa ordinaria, the standard medieval commentary on the biblical texts. The layout of the text is in the customary catena-style: the text of the Psalm is in the middle of the page, surrounded by interpretation in the margins and betweens the lines. (flr)

This manuscript originally consisted of three independent parts, dated to the 10th and 11th century. It contains Pauline Epistles, the glosses on the Pauline Epistles by Sedulius Scottus, as well as the final books of the New Testament. In the 15th century, Heinrich Gügelin of Rheinfelden, chaplain and provost at the Cathedral of Basel, donated this book to an unspecified Basel monastery. (stu)

This Gospel Book, written in an accurate Carolingian book hand, was probably created in the Marmoutier abbey by Tours. It features richly decorated initials and artistically designed frames for the canon tables. The manuscript was a gift to the Carthusians of Basel from the former dean of Rheinfeld, Antonius Rüstmann, in 1439. (stu)

This hefty volume, written by two hands, is made up of multiple texts having the same, although not entirely uniform, layout with pen-flourished initials in the so-called Upper-Rhine Style, similar to the two volumes of Nicolas of Lyra, B IV 3 und B V 5, which also came from the Basel Dominican Convent, but not from the same workshop. Johannes von Effringen, Prior of the Convent in 1347, was likely the first owner. Gerhardus, the first of the two scribes, copied multiple works of the church father Augustine: his commentary on the Psalms, the Confessions in 13 books, but also other, smaller writings, some of which are no longer ascribed with certainty to Augustine. A corrector worked through these texts and marked the improvements in a small cursive in the margin, so that the scribe could, in a further step, carefully write them neatly and erase the notes, which did not happen throughout. The text of the second, anonymous, scribe is nearly flawless and written more beautifully. It consists in a commentary on Jeremiah by Jerome, the translator of the Bible. (mag)

This manuscript contains the homilary of Paulus Diaconus for the winter season and was written and illustrated during the 9th and 10th centuries by various St. Gall copyists. It belonged to the Charter House at Basel, to which it was presented, like B IV 26, by Pierre de la Trilline, Bishop of Lodève near Montpellier (1430-1441), who served in various capacities at the Council of Basel. (ber)

The parchment manuscript, decorated with filigree and Lombard initials, originally belonged to the Carthusian Monastery of Mainz and reached the Carthusian Monastery of Basel via several stations. It contains Thomas Aquinas' Summa contra gentiles, written between 1259 and 1265. This manual for Christian missionaries offers philosophical arguments for Christianity and is especially designed for the conversion of Muslim and Jewish believers of other faiths; it is the only scholastic work to have been translated from Latin into Hebrew. (mue)

This pecia manuscript produced by numerous hands contains, with minor omissions, Thomas Aquinas's Quaestiones disputatae (De malo is missing) as well as eleven Quodlibeta (no. 12 is missing, as is part of no. 8). The manuscript originated at the Dominican cloister in Basel and belonged to Johannes and Hugo von Münchenstein, both of whom were priors at the Basel cloister for a time. The pastedowns contain records of the 1440 Council of Basel. (mit)

The Legenda aurea by the Dominican Jacobus de Voragine (about 1228-1298) is one of the most widely known spiritual collections of the Middle Ages. This 14th century manuscript from Bologna preserves it along with further legends of the saints. The codex is written in a regular Italian Gothic script and, as a matter of routine, is carefully decorated; a large lacuna in chapter 45 (legend of St. Michael) was augmented by a 15th century hand. The volume belongs to the library of the Carthusian Monastery of Basel. (flr)

This manuscript was produced in the Upper Rhine Region and was previously owned by Hugo and Johannes Münch of Münchenstein, two priors of the Basel Dominican Convent. It is a copy of the Franciscan Nicolaus of Lyra's Postilla super Psalmos. The dating of 1323 at the end likely refers to the exemplar or to the work itself, and not to this copy. The same scribe produced another volume of Lyra's work (Basel, UB, B V 5), with the same diagnostic pen-flourished initials, with which the same artist decorated some folio volumes from the Cistercian abbey of Pairis currently in the ZHB of Lucerne (P 13 fol.:1, 3 and 4; volume 2 burned in 1513 in St. Urban), which Hugo von Tennach copied in 1338–1340 under commission from a rich canon of the collegial of Basel, Peter von Bebelnheim. (mag)

This manuscript from the Dominican Monastery of Basel contains Quodlibeta and Quaestiones by Nicholas Trivet and Thomas Sutton, two important exponents of the Dominican School of Oxford at the end of the 13th century and the beginning of the 14th century. The thin parchment has numerous small defects as well as mended tears in some places; the sixth quire is bound incorrectly. The interior wooden boards of this formerly chained book (liber catenatus) are covered with fragments. (flr)

This volume from the Dominican Monastery of Basel contains the second part (Macula to Zona) of the Distinctiones sacrae scripturae by Maurice O'Fihely (Mauritius Hibernicus), an alphabetical list of biblical terms along with their various meanings and interpretations. In addition, fragments from two lives of Dominic – one by Constantinus de Urbe Vetere as well as one by Theodoricus de Apolda – are inserted in the front cover or as a flyleaf. (mue)

Composite manuscript from the Dominican Monastery of Basel, written in the 14th century by a single hand. This former liber catenatus contains a commentary on the Hohelied (Song of Songs) by Thomas Aquinas' student Giles of Rome (Ægidius Romanus, ca. 1243-1316), a commentary by the Dominican Nicolaus de Gorran (1232-ca. 1295) on the Canonical Epistles, as well as the Postilla on Ecclesiastes secondarily attributed to John of Sancto Geminiano. (flr)

Exegetical manuscript consisting of various parts and written by a variety of hands at the end of the 13th century and the beginning of the 14th century. The volume consists of parchment of varying quality; a tear on leaf 27 is carefully sewn up with white and green silk. Especially the third part of the manuscript contains notes and corrections. This former liber catenatus is from the Dominican Monastery of Basel. (flr)

This manuscript, written by various, difficult to distinguish copyists during the 10th century, contains the homilary of Paulus Diaconus for the winter season. It is decorated with two interesting full-page pen drawings (6r and 68v) and numerous flower-adorned initials in the St. Gall book decoration style. It belonged to the Charter House at Basel and, like B III 2, was a gift from Pierre de la Trilline, Bishop of Lodève near Montpellier (1430-1441), who served in various capacities at the Council of Basel. (ber)

This manuscript, a collection of theological texts, from the Dominican Monastery of Basel, consists of various parts; it alone transmits the complete Latin translation of Fließenden Lichts der Gottheit by Mechthild of Magdeburg. The manuscript is remarkable not only because of its age (around or shortly before 1350), but also because of the numerous marginal notes, which reveal knowledge of the German version of the text, with which this copy of the Latin translation of Das fließende Licht was being compared. (nem)