Sub-project: Switzerland’s illuminated treasures
March 2020 - November 2020
Status: Completed
Description: The exhibitions celebrate the fifteenth anniversary of the e-codices project, the Swiss platform for the digitisation of manuscripts. In this connection, both collections are showing highlights from their own holdings as well as a large number of valuable loans from other libraries participating in the e-codices programme.
All Libraries and Collections
The Eidgenössische Chronik by Werner Schodoler (1490-1541) is in chronological order the last of the illustrated Swiss Chronicles of the late Middle Ages. It was written by private initiative between 1510 and 1535 and took as its model primarily the Official Bernese Chronicle - Amtliche Berner Chronik - by Diebold Schilling and the Chronicle - Kronica - by Petermann Etterlin. This volume, the third and last of the Chronicle, presents the events of the Burgundian Wars and the Swabian War; it ends with the Italian military campaigns, among others the Battle of Marignano on September 13th and 14th 1515, in which presumably the author himself took part. The volume is illustrated with 196 uncolored pen sketches by an anonymous artist. Today the three volumes are held in different libraries: the first volume is in the Leopold-Sophien-Bibliothek in Überlingen, the second in the City Archives in Bremgarten, and the third in the Cantonal Library of Aargau.
Online Since: 12/20/2012
Since the 9th century, Aristotle’s Historia animalium, an orderly description of various creatures, had been available in an Arabic translation, which Michael Scotus translated into Latin in 1220. The decoration of the initials in this manuscript, which Johannes Heynlin purchased in Paris and bequeathed to the Carthusian monastery of Basel, is rich in drolleries. Throughout the volume, there are annotations by various hands.
Online Since: 12/14/2017
Nikolaus Meyer zum Pfeil, city clerk of Basel, owned a large collection of incunabula of mostly German entertainment literature and himself copied a number of manuscripts, such as this Melusine by Thüring von Ringoltingen in 1471. The paper manuscript contains 38 colored pen and ink drawings, which apparently are by two different painters. Because sheets were lost, the current text has gaps; it is unclear whether illustrations were lost as well.
Online Since: 12/14/2017
Guillaume de Marchaut was one of the most important poets and composers of the middle ages in France. His work is represented in the collection of the Burgerbibliothek Bern by a manuscript of the highest quality: the 13 column-width miniatures and many of the initials are polychromatic and accented with gold leaf. Notation provided with some of the songs makes this manuscript, easily datable by its scribal colophon, important to the study of music history.
Online Since: 12/20/2012
The manuscript contains the second part of the Chronicle of Eusebius in the Latin translation and continuation of Jerome. The tables, generally laid out as double pages, are in the majority of cases condensed onto a single page. The book decoration is a superb example of pre-Carolingian manuscript illustration from the Frankish Empire and Northern Italy. From the detailed information on the title page, one can deduce that the text was written in 699; the Bernese Chronicle of Eusebius therefore is Switzerland’s oldest dated manuscript.
Online Since: 09/23/2014
The so-called "Berner Parzival" is the last dated manuscript of Wolfram von Eschenbach’s epic poem about the Holy Grail, created between 1200 and 1210; moreover, this textual witness is adorned with illustrations. Presumably the Bernese merchant Jörg Friburger commissioned the manuscript in 1467 from the scribe Johann Stemhein of Konstanz, who edited and stylistically modernized the text of his model to match the tastes of a late medieval urban public. In addition, he gave directions for illustrations, which were later executed by a painter who created 28 colored pen and ink drawings. The further history of this manuscript,which today consists of 180 leaves, is unknown; it must, however, have reached the Bernese municipal library in the early years of the 19th century, where it is attested at least since 1816.
Online Since: 09/26/2017
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The first volume contains the early history of Bern from the founding of the city until the year 1421, based on the older chronicle by Konrad Justinger, following the version by Bendicht Tschachtlan. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
This Latin manuscript on astronomical topics includes works by Germanicus, Pliny the Elder and Hyginus. The codex features numerous pen and ink drawings, including a planisphere (rotatable star chart) consisting of five golden concentric circles containing constellations portrayed as people or animals. These drawings, dating from the 15th century, have been attributed to Antonio di Mario of the Neapolitan region.
Online Since: 07/31/2007
Manuscript CB 10 was probably intended for educational use, it contains works of Aristotle, Avicenna, Nicolaus Damascenus, Qusta Ibn-Luca and Alexander Aphrodisiensis. This manuscript, written on parchment during the 13th century, presumably belonged to a student of the Faculty of Arts in Leipzig, as may be concluded from a list of lectures attended during the year 1439 which is included in the codex. The list contains the names of the professors, titles of the texts covered, lecturers' fees, and starting and ending dates for the lecture periods.
Online Since: 12/20/2007
This Latin parchment manuscript from the 14th century contains a comprehensive commentary by jurists of Bologna on the "Corpus Iuris Civilis" as well as on others, such as the "Codex Justinianus" and the "Digests".
Online Since: 07/31/2007
The Elegia di madonna Fiammetta, dedicated to "women in love", describes in the first person the feelings of the young Neapolitan Fiammetta, who has been left by her beloved Panfilo. The Elegia, a prose work written by Boccaccio in his youth, praised for the subtlety of its psychological approach, mixes autobiographical elements and obvious references to Latin literature. It is preserved here in a manuscript copied in 1467 by Giovanni Cardello da Imola, whose regular calligraphy is set off by decorations in bianchi girari (white vine-stem).
Online Since: 12/21/2009
Boethius' De consolatione Philosophiae knew continuous success during the Middle Ages. This 14th century manuscript offers a complete copy of the Latin text with some interlinear glosses. The book decoration consists of a historiated initial with a half-length frontal portrait of the author as he points to his book (f. 1). From this initial sprouts a short leaf scroll. In addition there are very beautiful decorated initials placed at the beginning of the various books of the Consolatione (f. 8, 17, 30 and 41). Their style indicates that the manuscript was made in northern Italy, perhaps Bologna.
Online Since: 12/12/2019
This manuscript, commissioned by the bibliophile Antoine of Bourgogne in 1460, contains the Epître d’Othea by Christine de Pisan, decorated with about a hundred masterful miniatures (a complete pictorial cycle). One of these contains the dedication of the work and shows four figures, identifiable as Philip the Good, Charles the Brave, and two of Philip's illegitimate sons, David and Anthony of Burgundy.
Online Since: 07/25/2006
While Cicero is regarded today mainly as a philosopher and politician, he was regarded during the middle ages mainly as a teacher of public rhetoric. This is demonstrated by CB 52, most likely of French origin, which consists of copies of "De inventione" and a work long attributed to Cicero, "Rhetorica ad Herennium". The manuscript dates from the beginning of the 12th century.
Online Since: 03/25/2009
This French translation of the story of Alexander, destined to belong to Charles the Bold, was commissioned by Vasco da Lucena, "the Portugese", a retainer of the Infanta Isabella, who was married to Philip the Good. This revival of the work by Quintus Curtius Rufus, which is augmented by texts from Plutarch, Valerius Maximus, Aulus Gellius and Justin, allows the author to liberate the Macedonian conqueror from legends perpetuated by the medieval tradition. The Miroir des princes portrays a model of a hero shaped within the framework of the humanistic movement initiated by the dukes of Burgundy in the late middle ages. CB 53 was copied in Burgundy and may be fairly accurately dated only a few years after the translation was made; it was decorated with miniatures in the artistic circle of the Master of Marguerite of York (ca. 1470-1475).
Online Since: 12/21/2009
The Sachenspiegel by Eike von Repgow is one of the oldest books of law in the German language. This parchment manuscript, CB 61, was produced at the beginning of the 15th century and contains codes of common and feudal law.
Online Since: 07/31/2007
This manuscript containing legal materials from the 13th or early 14th century demonstrates the high regard in which the "Decretum Gratiani", often considered the foundation of modern canon law, was held during the middle ages. The text is bordered by the "Glossa Ordinaria" of Johannes Teutonicus, in the first revision by Barthomeus of Brescia (before 1245). The manuscript features numerous ornately illustrated initials.
Online Since: 07/31/2007
This 14th century parchment manuscript preserves the "Historia destructionis Troiae" by Guido de Columnis for posterity. Its 187 miniatures crafted by Giustino da Forlì portray the most important scenes of the Trojan War against a background of the Gothic architecture of Venice. The margins of the manuscript reveal written traces of the collaborative efforts of the copyist and the illuminator: the scribe made notes in Venetian dialect indicating the plan for incorporating a series of miniature illustrations, which were then duly added by the illuminator.
Online Since: 07/31/2007
Guillaume de Loris and Jean de Meung (Meun) are the authors of the Roman de la Rose, one of the masterpieces of medieval courtly literature. In a phantasmagoric and allegorical setting, the lover seeks entry to a locked garden which conceals a rose, the image of his beloved. The second part, written by Jean de Meung, provides a philosophical and moral lesson. This manuscript, written on parchment in the 14th century, contains many golden and gold-accented illustrations and borders as well as initials with blue and red extensions.
Online Since: 06/02/2010
The Ilias Latina, copied on paper during the 14th century, is a Latin adaptation of the great epic by Homer, one of the foundational texts of ancient Greece. It was written in Gothic quasi-cursive script by a single scribe in the region of Naples in Italy. One should take note of some of the decorated initials, some of which incorporate figures, especially that of a muse, clad in a dress covered with stars and holding a sword in her hand.
Online Since: 06/02/2010