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The composite volume F II 29 consists of seven parts: Parts I-III (ff. 2-99), IV (ff. 100-121), and VI-VII (ff. 181-237) contain commentaries on Aristotle by Thomas Aquinas: Super libros Physicorum; Super libros Posteriorum Analyticorum; Super libros De Anima; Part V (ff. 122-180) contains the commentary by Adam of Buckfield on Aristotle's Metaphysica Nova. The manuscript comes from the Domincan convent in Basel (ownership note f. 179vb).
Online Since: 03/22/2012
This Persian-Arabic manuscript, written in Herat by ʿAbdallāh al-Harawī and completed Middle of Šaʿbān 871 h. [= end of March 1467], contains genealogical information about the Prophet Muhammad and his descendants, as well as about people important to the subsequent history of the eastern part of the Islamic world and of Central Asia, among them the Khan of Moghulistan, Tughluq Timur († 1363). Sayyid Ǧalāladdīn Mazīd Bahādur is named as the person who commissioned the manuscript; he probably was part of the local upper class. Interspersed in the text are quotations from the Koran, prayers and poems; an appendix gives exact death dates for three people who passed away in the year 869 h. and who may have been part of the circle of the man who commissioned the manuscript. The decoration of the manuscript is incomplete, as can be seen from an only partially completed rosette (3r) and a missing family tree (26v). The manuscript was owned by Rudolf Tschudi (1884-1960).
Online Since: 12/14/2017
The so-called "Berner Parzival" is the last dated manuscript of Wolfram von Eschenbach's epic poem about the Holy Grail, created between 1200 and 1210; moreover, this textual witness is adorned with illustrations. Presumably the Bernese merchant Jörg Friburger commissioned the manuscript in 1467 from the scribe Johann Stemhein of Konstanz, who edited and stylistically modernized the text of his model to match the tastes of a late medieval urban public. In addition, he gave directions for illustrations, which were later executed by a painter who created 28 colored pen and ink drawings. The further history of this manuscript,which today consists of 180 leaves, is unknown; it must, however, have reached the Bernese municipal library in the early years of the 19th century, where it is attested at least since 1816.
Online Since: 09/26/2017
The Elegia di madonna Fiammetta, dedicated to "women in love", describes in the first person the feelings of the young Neapolitan Fiammetta, who has been left by her beloved Panfilo. The Elegia, a prose work written by Boccaccio in his youth, praised for the subtlety of its psychological approach, mixes autobiographical elements and obvious references to Latin literature. It is preserved here in a manuscript copied in 1467 by Giovanni Cardello da Imola, whose regular calligraphy is set off by decorations in bianchi girari (white vine-stem).
Online Since: 12/21/2009
This manuscript was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491) (dating on f. 227r: 1467). Its content corresponds substantially to that of Cod. Sang. 438: a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium) and hymns are followed from f. 148v by Cantica, and from f. 172v by a hymnal. Antiphons and hymns have melodies in German plainsong notation ("Hufnagelnotation") on 4 or 5 lines. Numerous erasures (sometimes extending over several pages) and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on f. 104v (David with a harp).
Online Since: 10/07/2013
German version of the life of Jesus according to the four gospels, in an Alemannic recension. With colorful initials and 21 filled initials, drawn in pen and usually colored. The scribe and probably also first owner, Rudolf Wirt, gives his name at the end of the text on p. 463 as well as the date of the completion of the manuscript on January 9, 1467. The volume originated in one of the women's cloisters of St. Gall and came to the St. Gall Abbey Library between 1780 and 1792.
Online Since: 06/23/2014
This manuscript, dated in two places to the years 1465 (p. 393) and 1467 (p. 181) and perhaps written by eight different hands, belonged to the Benedictine Convent of St. George near St. Gall and became part of the Abbey Library of St. Gall as part of an exchange around 1780/82. The codex, written entirely in German, contains the explanation of the Decalogue by Marquard of Lindau (pp. 3−176); the song Ain raine maid verborgen lag from Spiegelweise by Heinrich Frauenlob (pp. 177−181); instructions regarding attention during prayer, attributed to Thomas Aquinas (pp. 182−186); the Büchlein der ewigen Weisheit by Henry Suso (pp. 195−393); reflections on consecration (pp. 394−399) and on the Sunday (pp. 399−402); as well an anonymous treatise on death (pp. 405−422). Several parchment fragments from an 11th/12th century St. Gall liturgical manuscript containing neumes were used in order to reinforce this manuscript.
Online Since: 06/25/2015
This undecorated manuscript in Swabian–Alemannic was written by two hands and contains numerous German-language ascetic-mystical texts, among them the treatise De contemptu mundi (pp. 3−6), various sermons (pp. 7-33), salutations to Mary, prayers, exempla and sentences by church teachers (pp. 33-46), the legend of St. George (pp. 69-105), the first eight fables from the collection Edelstein by Ulrich Boner (pp. 116-129), the treatise Die besessene Schwester Agnes (pp. 131-215), and a mention of the ten commandments, each accompanied by a humorous rhyme (p. 108). The manuscript probably originated in the convent of the female Capuchins of the third order in Wonnenstein near Teufen; it became part of the Abbey Library of St. Gall in 1782 (cf. Cod. Sang. 1285, p. 12).
Online Since: 10/08/2015
This manuscript from 1467, which first belonged to the convent of the Poor Clares at Freiburg in Breisgau and was transported to the Abbey of St. Gall in 1699, contains, in addition to some Latin texts, many tracts for spiritual instruction in German translation. These include an Ars moriendi, the Cordiale de quattuor novissimis by Gerard van Vliederhoven, the so-called Hieronymus-Briefe(Letters of Jerome) translated by John of Neumark (ca. 1315-1356), the Spiegelbuch, a dialogical text in rhymed verses on living life properly, the trials of worldly life and everyday tribulations, with about twenty colored pen sketches, and a version of the legend of the Three Kings by John of Hildesheim (1310/1320-1375). The manuscript also contains some additional pen sketches: a unicorn (p. 87), images representing two Apostles (p. 107; Paul and John?), a man and a woman in secular dress, and a stag and a wild boar (p. 513). There are imprints in Carolingian minuscule on front and rear inside covers (rear inside cover: Hrabanus Maurus, De computo).
Online Since: 10/04/2011