This manuscript of collected items with twelve historiated initials and prayers in the German language was written by Dorothea von Hof (1458-1501), daughter of Heinrich Ehinger and Margarethe von Kappel. The codex contains the Officium parvum BMV as well as assorted prayers (mainly Marian prayers and prayers from the Passion of Christ), the Hundert Betrachtungen ("Hundred Meditations") from the Büchlein der ewigen Weisheit ("Book of Eternal Wisdom") by Henry Suso, and prayers ascribed to Thomas Aquinas. This manuscript on paper, completed in 1483, was presumably owned by the sisters of the Dominican cloister of St. Katharina in St. Gall, of which Dorothea von Hof is listed as a patroness. (fas)

Online Since: 12/21/2010

This small codex consists of two parts. The first part (ff. 1-79) is made up of texts by two female scribes (ff. 1r-28r and 28v-79r); it was produced around 1500 or shortly thereafter. According to a colophon on f. 162r, the second part (ff. 80-226) was written by Sister Fides Baierin and, according to a note on f. 80r, belonged later to Sister Barbara Wingelhus. The last three leaves are blank. The booklet reached the Abbey Library in the late 18th century. The first part contains various prayers, especially on the passion; the second part contains prayers in honor of the Virgin Mary. The language of the texts is an Early Modern High German with Swabian influences. (nie)

Online Since: 06/13/2019

Small format prayer Book on highest quality parchment with Latin and several French prayers. The coat of arms on p. 3 refers to the Montboissier family from Auvergne as commissioner. In addition to a half-page crucifixion scene (p. 3), the manuscript also contains many tiny initials, most of them with animal heads, as wells as numerous miniatures on pp. 97-146, taking up four lines of text with images of saints. (sno)

Online Since: 10/13/2016

This manuscript contains selections from the Elsässischen Legenda Aurea, an important Upper-German rendition of James of Voragine's legendary. The selections are largely limited to the saints of the summer section. The first part of the manuscript (pp. I–64) is written in a hand that copies the legends of John, Peter, and Paul. A second, somewhat less skilled, hand writes the rest, beginning with the only verse text of the manuscript (the Barbara-legend, starting on p. 66). This verse text is the only text that the Baroque label on the spine mentions. Also from the Legenda Aurea is the account of the Einsiedeln Engelweihe (pp. 191–196). Both parts contain rubrics and restrained rubrication in a hand different from those used for the text. The beginning and end of the manuscript are missing; the binding, restored in the nineteenth century, dates from the fifteenth century. (mat)

Online Since: 09/22/2022

Composite manuscript from a lay community of St. Gall (from Scarpatetti, p. 137), partly written and compiled around 1505 by the St. Gall Conventual Joachim Cuontz († 1515). The two most substantial parts of the manuscript are the life and miracle of St. Anne (pp. 49-137) and an incunable (Inc. Sang. 995; Hain 12453) bound together with the manuscript of the German version of the Passio S. Meinradi, decorated with 37 woodcuts and printed between 1496 and 1500 by Michael Furter in Basel (pp. 141−195). The manuscript furthermore contains medical advice, for instance on the use of St. Benedict's thistle or a remedy for the plague (pp. 15−21; p. 138); translations of sequences into German (pp. 5-9); numerous prayers and exempla, especially to Mary, Anne and Joachim (pp. 25-44); as well as a letter, surviving in fragments, from Silvester, provost of the Monastery of the Augustinian canons of Rebdorf in Eichstätt to the sisters of the Convent of Pulgarn in Upper Austria, regarding poverty in the convent (pp. 44-48). (smu)

Online Since: 06/25/2015

The paper manuscript was copied in a rapid cursive by Friedrich Kölner during his stay at the monastery of St. Gall between 1430 and 1436. It contains first the lives of the Apostles in the German translation of the summer part of the Golden Legend (pp. 6-269). There then follow, also in German, the sermon Von den Zeichen der Messe, composed by the Franciscan Berthold of Regensburg (pp. 269-284), Die Legende von den Heiligen Drei Königen, composed by Johannes von Hildesheim (pp. 284-389), a Pilatus-Veronika-Legende (pp. 389-400), a Greisenklage (pp. 400-402), and finally the Fünfzehn Vorzeichen des Jüngsten Gerichts (pp. 402-403). According to Cod. Sang. 1285, p. 11, the manuscript entered the possession of the Abbey Library as part of the acquisition of manuscripts by Johann Nepomuk Hauntiger, which took place between 1780 and 1792. (rou)

Online Since: 09/22/2022

Manuscript compilation containing a collection of fables (Ulrich Boner's Edelstein), decorated with simple pen drawings, farcical stories – preserved only here – by the so-called "Swiss Anonymous" as well as chronicle notes on the history of Zurich and Glarus. (smu)

Online Since: 12/12/2006