Superbly crafted Sacramentary of St. Gall from the time of Abbot Norpert of Stablo (1034-1072) for the celebration of the Mass. With Calendar, Gradual and Sacramentary, illustrations include five full-page, high-quality miniatures of the principal feast days of the liturgical year (Christmas, Good Friday, Easter, Ascension, Pentecost).
Online Since: 06/12/2006
Earliest complete extant gradual of St. Gall. The different parts of the manuscript date from different periods. Illustrated with numerous initials and several pen drawings (especially in the Sacramentary part).
Online Since: 06/12/2006
This plenary missal, produced in St. Gall, which contains all chants and prayers of the Mass, consists of the following parts, written partly in the 11th and partly in the 14th century: liturgical calendar; sequences (without melodies); gradual; Masses (with prayers, readings, and chants for the Proper of the Mass); Canon of the Mass; sacramentary; lectionary. On p. 232 (opposite the Te igitur), there is a full-page picture of the crucifixion with two kneeling monks.
Online Since: 12/20/2012
Sequentiary containing sequences without neumes by Notker Balbulus (pp. 1-14), a calendar (pp. 15-20) and a sacramentary (p. 21-182), beginning on p. 21 with a beautiful initial ‘M' (a vine scroll contoured in red on a blue and green background) and from p. 22 the Canon of the Mass with a Te igitur-initial with the Crucifixion.
Online Since: 06/23/2014
This missal was most likely written for the Grossmünster of Zürich (from a comparison with the Grossmünster's Liber Ordinarius); it contains the proprium de tempore, proprium de sanctis (with the major feasts of Zürich), commune sanctorum and votive masses. The chants are written in smaller letters throughout, but only on a few pages do they appear together with melodies in neumatic notation. The canon missae (pp. 73–83) begins with a simple drawing of a canon. With that exception, the decoration is limited to at most two-line red lombards.
Online Since: 12/14/2022
Lectionary from the Abbey of St. Gall with numerous sermons on various Gospel selections by the church fathers, produced by a number of different hands in the 10th century in St. Gall. This little studied volume also contains benedictions and oratory prayers. Appended at the back (in small script in two columns) is a Psalter. The manuscript has become extremely soiled with intensive use; it features assorted addenda and supplements from the 11th and 12th centuries.
Online Since: 12/21/2009
The incomplete Gelasian Remedius-Sacramentary, composed in Chur in about 800, at the time of the Chur Bishop Remedius, one of the most important liturgical texts from that time, containing the prayers used by bishops or priests during the Mass and administration of the sacraments, at the same time also one of the masterpieces of Retro romansh scribal culture in the Carolingian age, decorated with numerous fantastic initial capitals, still influenced by Irish models. Verifiably present in the monastery of St. Gall by about 850.
Online Since: 12/09/2008
The manuscript is bound in a cardboard binding of the eighteenth/nineteenth century. It has two parts written at different times. The first part (pp. 3–120) begins with a fragmentary gradual (it starts on the Wednesday after the Third Sunday in Advent), written in the thirteenth century. The melodies are noted in staffless neumes. Following the Sundays after Pentecost, the part concludes with alleluia-verses (pp. 118–120). The second part (pp. 121–186), containing sequences without melodies, comes from the fourteenth century. In two parts of the codex is bound a quire from a gradual probably written in the thirteenth/fourteenth century: pp. 11–26 (in the middle of the introitus to the feast of the Holy Innocents), the propers for the first Sunday of Advent to the first Sunday after Christmas; pp. 159–174 (in the middle of the All Saints' sequence), the chants for the period from the Wednesday after the first Sunday of Lent to Holy Saturday.
Online Since: 12/14/2022
The so-called "Cantatorium of St. Gall", the earliest complete extant musical manuscript in the world with neume notation. It contains the solo chants of the Mass and constitutes one of the main sources for the reconstruction of Gregorian chant. Written and provided with fine neumes in the monastery of St. Gall between 922 and 926. Bound in a wooden box with an ivory panel on the front cover, most likely Byzantine c. 500, depicting scenes from the fight of Dionysos against the Indians. The ivory panel was once the possession of Charlemagne.
Online Since: 05/24/2007
A St. Gall Processional from about 1150, carried in processions, both within the cloister itself and also around the surrounding area which now comprises the city of St. Gall; bound in a long wooden protective case to protect it from the effects of the weather. It contains hymns and litanies to be sung during processions, most of them composed by the monks of St. Gall during the 9th and 10th centuries; includes neumes.
Online Since: 12/09/2008
Gradual from St. Gall, dating from the first half of the 12th century. It contains the solo chants of the Mass, with finely executed neumes and some illuminated initials. Preceded by a Calendar with necrological notes from the monastery of St. Gall dating from between the 13th and 15th century and at the lower margins a catalogue of relics from the 14th century.
Online Since: 05/24/2007
Epistolary originating from Reichenau/St. Gall, illustrated with a portrait of the epistle-writer Saint Paul and five painted Christological miniatures from the third quarter of the 11th century.
Online Since: 06/12/2006
This manuscript contains the epistles, the readings from the Old Testament and the readings from the Gospel for the period from Christmas Eve until Easter Sunday (pp. 1-144), from the Thursday after the first of Advent until the end of the Advent season (pp. 145-155), and for the saints' days (pp. 156–218). Several quires seem to have come out between pp. 144 and 145, since the greater part of the readings for Easter Sunday, for the feasts between Easter and the last Sunday after Pentecost, as well as for the first Sunday of Advent are missing. The decoration consists of several initials with scroll ornamentation in red ink (pp. 1, 4, 131, 144 and 156). 15th century entries (foliation, references, neumes in the Passion according to Matthew, pp. 98–104) attest that this codex was in use for a long time.
Online Since: 12/14/2018
Deluxe manuscript for the celebration of feast day masses in the monastery of St. Gall, written and illustrated with numerous initials around the middle of the 11th century. Contains a gradual with neumes and a Lectionary with the readings for the liturgical year.
Online Since: 05/24/2007
Gradual from St. Gall, dating from the 12th century, with two illustrations of the monk Luitherus.
Online Since: 09/14/2005
Deluxe manuscript for the celebration of the Mass in the monastery of St. Gall, dating from 1050/70, containing sequences of the St. St. Gall monk "Notker the Stammerer" (died 912).
Online Since: 12/31/2005
Musical manuscript in small format from the monastery of St. Gall containing a calendar, a computus, a tropary, a sequentiary, an antiphonary, offertory and tractus from the middle of the 11th century as well as an appendix with sequences from the 13th century.
Online Since: 12/12/2006
This codex, with boards covered in green textile, consists of two parts. The first part (pp. 3-53) contains sequences by Notker Balbulus and other authors, the second part (pp. 55-226) contains a gradual. All of the texts have neumes; the script is interspersed with red and blue majuscules. Of note is a series of decorated initials, for example one containing a dragon on p. 3 of the sequentiary and one with scroll ornamentation on p. 55 of the gradual. Other examples can be found on pp. 114, 134, 144, 146. Bound in at the beginning is an 11th/12th century leaf containing excerpts from the Commune Sanctorum, with 14th century supplements on the back.
Online Since: 12/14/2018
Small music manuscript from the middle of the 11th century containing an (incomplete) calendar, computus, tropary and sequentiary in an elegant hand, with delicate neumes.
Online Since: 06/12/2006
Versiculary, Hymnal, Tropary and Sequentiary from the monastery of St. Gall, written and provided with neumes around 930, possibly by a monk named Salomon. The small-sized, undecorated manuscript contains the St. Gall repertoire of the chants sung in the monastery and works by the monks Notker Balbulus, Tuotilo, Ratpert, Waltram and Ekkehart I. Counts among the foremost monuments worldwide in the history of early medieval music.
Online Since: 05/24/2007
An incompletely preserved musical manuscript from the 11th century, written in the monastery of St. Gall, with added supplementary leaves up to around 1400. Contains a Tropary, a Versiculary and a Sequentiary.
Online Since: 05/24/2007
Breviary consisting of several parts: 1) Capitula and orationes for the period from the first of Advent until the octave of Pentecost as well as for Sundays and weekdays (pp. 3–48). 2) Proprium de tempore (with readings, excerpts from sermons, antiphons, responses and hymns) for the period from the first of Advent until the Saturday after Pentecost (pp. 49–280). The antiphons and responses have neumes. 3) Proprium de sanctis (pp. 281–419), these chants do not have neumes. It begins with St. Andrew (30 November) and ends with St. Petronilla (31 May). 4) Proper for Easter until the second Sunday after the octave of Easter (pp. 421–466). 5) Responses and antiphons De sanctis in pascali tempore (pp. 466–468). 6) Lectiones per totam ebdomadam for weekdays of the third and fourth week after the octave of Easter (pp. 469–484). 7) Capitula for Nocturns, Sext and None at Easter (p. 485). 8) Orationes for Nocturns, Sext and None on weekdays usque ad ascensionem Domini (pp. 486–487). 9) Capitula and orationes for Vespers, Lauds and Sext for the first until the fourth Sunday after the octave of Easter (pp. 488–489). 10) Hymns (and sequence Cantemus cuncti melodum, p. 504) (pp. 502–504 and 506). Parts 1-3 were for the most part written in the 13th century (with numerous additions and corrections on erasure up until the 15th century). Parts 4-6 are from the 14th century, parts 7-10 from the 15th century. Property of the Monastery of St. Gall at least since the 15th century (perhaps 1450, cf. p. 1).
Online Since: 03/17/2016
Summer portion (Holy Saturday through the end of the church year) of a breviary written at the Abbey of St. Gall between 1022 and 1047 (with readings, prayers, extracts from homilies, antiphons, responses and hymns for the monastic liturgy of the hours), includes additions made as late as the 14th century. The sung sections include neumes. Preceding materials include a fragment of a collections of homilies, a calendar, and computistical texts and tables. The corresponding winter portion of this breviary is found in Cod. Sang. 413. It is among the oldest surviving breviaries produced at St. Gall.
Online Since: 11/04/2010
Antiphonary from St. Gall for the liturgy of the divine office, as sung by St Gall monks, dating from the 12th century, with addenda until the late 14th century. Illustrated with several initials and (at the beginning) with a miniature of the crucified Christ with Mary and John.
Online Since: 05/24/2007
Antiphonary from the XIIIth century containing chants for the liturgy of the Hours. The melodies are noted using neumes without lines. Essentially, this is a copy of Cod. Sang. 390/391 (“Hartker antiphonary”) completed by saint's days added after the completion of the Hartker antiphonary.
Online Since: 12/19/2011
Winter volume of the so-called Hartker Antiphonary: Chants for the liturgy of the hours of the St. St. Gall monks, written and provided with finest neumes by the St. St. Gall monk Hartker. A masterpiece of script, neumes and illuminated initials. The most important choral manuscript, with four colored pen drawings of outstanding quality.
Online Since: 06/12/2006
Summer volume of the so-called Hartker Antiphonary: Chants for the liturgy of the hours of the St. St. Gall monks, written and provided with finest neumes by the St. St. Gall monk Hartker. A masterpiece of script, neumes and illuminated initials. The most important choral manuscript, with four colored pen drawings of outstanding quality.
Online Since: 06/12/2006
The manuscript contains: p. 1-17 a calendar (probably written before 1047: Wiborada, canonized in 1047, is added by a 13th century hand); p. 17-19 a list of the Abbots of the Monastery of St. Gall (in a first hand until Nortpert, 1034-1072, additions by three further hands until Berchtold von Falkenstein, 1244-1272); p. 22-162: Rule of St. Benedict; p. 162-163 excerpt from the Book of Proverbs (Prv. 20, 18ff.); p. 165-345 rituals: benedictions, exorcisms, Ordo ad monachos faciendos , instructions for penance, visitation of the sick, anointing of the sick, comforting the dying (Obsequium circa morientes), Office of the Dead (the antiphons and responsories therein with neumes).
Online Since: 12/13/2013
Incompletely preserved benedictional, written on strong parchment in the Monastery of St. Gall in the first half of the 11th century. This volume contains prayers and benedictions for various liturgical ceremonies, for example for the blessing of the chalice, for the blessing of salt and water for driving out demons, for the consecration of monks and secular priests, for the blessing of plants on the Feast of the Assumption of Mary, etc. In three places (p. 23-26, p. 65-66, p. 90-94) the manuscript contains litanies in which the names of saints of St. Gall appear. Before the pagination around 1780, pages were cut out of the manuscript in five different places; the manuscript shows signs of use into the 15th century.
Online Since: 06/23/2014
The Pontificale contains the rites for liturgical celebrations by the bishop, among them rites for performing the tonsure, for the consecration of the lower orders (Cantor, Lector etc.), of the higher orders (deacon, priest, bishop), for the consecration of abbots, abbesses and nuns, for the consecration of a church, of a cemetery and of liturgical objects. Several incipits of liturgical songs are annotated with adiastematic neumes. In the margins on pp. 110/111 there are two Greek alphabets and a Latin alphabet in capital letters; they are part of a rite for the consecration of a church. The saints named in the litany on pp. 98–100 (among them Corbinian, Ulrich, Walpurga) suggest that the manuscript originated in a Bavarian diocese.
Online Since: 06/25/2015
This is a collection of liturgical works from the monastery of Disentis, written in the second half of the 12th century, most likely around 1200. In sequence, the volume contains a calendar (pp. 2-13), a psalter (pp. 15-90) and a hymnary (pp. 91-110), a (mixed) capitulary and collectarium (pp. 116-186), as well as an antiphonary, a lectionary, and a homiliary (pp. 203-638). Highlights from the point of view of manuscript decoration include the initial “B” at the beginning of the psalter (p. 15) and a picture of the crucifixion (p. 89). This breviary is one of the very few surviving medieval manuscripts from the monastery of Disentis. The manuscript came to Kempten around 1300; as early as the 15th century, the Disentis Breviary was held in the Abbey Library of St. Gall.
Online Since: 12/20/2012
Winter part (from the first Sunday in Advent to Holy Saturday) of a Breviary written in the monastery of St. Gall between 1034 and 1047 (with readings and chants for the liturgy of the divine office), with addenda until the 14th century. Prefaced by a Calendar and computational tables. The corresponding summer part of the Breviary can be found in Cod. Sang. 387. One of the oldest extant Breviaries from St. Gallen.
Online Since: 05/24/2007
Winter part (from the first Sunday in Advent to Holy Saturday) of a Breviary for the divine office, written around 1030 with addenda until the 14th century. Contains, in addition to a large Lectionary and Antiphonary, a Calendar and computational tables. One of the oldest extant Breviaries from St. Gall.
Online Since: 05/24/2007
This breviary, which is missing its end, contains the proprium de tempore from the first Sunday of Advent through Saturday after the third Sunday after Easter (pp. 1–384). Then follows the commune sanctorum (pp. 384–386), the proprium de sanctis from Tiburtius and Valentianus (April 14) to Primus and Felicianus (June 9), and then the proprium de tempore continues from the fourth Sunday after Easter. The breviary cuts off in the middle of the fifth Sunday after Easter. Since there are only three, and not, as was common in the Benedictine Order, four readings per nocturn on Sundays, the breviary cannot have come originally from the Abbey of St. Gall. The codex, which shows signs of heavy use, is written by several hands on thick parchment with many holes, sometimes with stitches. Several pages are cut below the text-block. The antiphons and responsories appear with staffless neumes, which themselves were written by many hands. The decoration consists of red lombards and initials, including a few zoomorphic ones (p. 172: dragon; p. 217: bird with two heads; p. 231: dragon). Numerous fragments of a late-medieval liturgical manuscript are used as quire-guards.
Online Since: 12/14/2022
The summer portion of a Lectionarium officii containing scripture lessons to be sung by a choir, produced during the 10th century at the Abbey of St. Gall.
Online Since: 12/21/2009
Lectionary for the period from Christmas through the second Sunday of Lent, with 32 homilies (Predigten) for Sundays and feastdays, written mostly by the church fathers (Ambrosius, Augustine, the Venerable Bede, Fulgentius and Leo the Great, among others), most likely produced at the Abbey of St. Gall in the 10th or early 11th century. The name of one scribe, Egilolfus, added later, can be found on page 85 of the manuscript. The front pages of the manuscript are in exceedingly poor condition, having suffered water damage. The text breaks off on page 177, in the course of a tract by Leo the Great.
Online Since: 12/21/2009
The manuscript contains the readings for the nocturns of matins, the nightly office, on Sundays, feast days and weekdays. It includes the proprium de tempore from the first of Advent to the end of the ecclesiastical year (including the saints' feasts between Christmas and Epiphany). As the Matutinale does not have four readings per nocturn on Sundays, as was the practice in the Order of Saint Benedict, but only three, it cannot have been originally written for the Abbey of St. Gall. On the margins of p. 233/234 appear numerous additions from the fourteenth and fifteenth centuries on the feast of the Trinity. Decoration consists of red lombards and simple initials, partially with incipient pen-flourishes (e.g., p. 75). The parchment has numerous holes, some of which have stitches. Numerous pages are trimmed below the text block. Strips from an eleventh-century liturgical manuscript are bound around the first and last quire of the codex as reinforcement (the back half of the strip around the last quire is paginated as p. 414/415). On the front board appears the offset of a page of a thirteenth-century psalter; on the back board, the offset of an eleventh-century sacramentary (?).
Online Since: 12/14/2022
This codex, written in the 13th century, contains a lectionary for Matins for the saints' days and an antiphonary for the entire liturgical year. The antiphonary bears the title In nomine domini incipiunt antiphone secundum morem Marbacensis ecclesie. Nevertheless, this is probably not a manuscript from the reformed monastery of Marbach in Alsace. Based on the offices, which indicate a connection with St. Gall, it must rather be assumed that the manuscript originated in the monastery of the Canons Regular of St. Lawrence in Ittingen, which belonged to the monastery of St. Gall, but which followed the Consuetudines of Marbach. The fly leaf (p. 2/1) contains a large part of the Office of St. Gallus, probably from a manuscript from the 10th/11th century. Readings as well as chants (the latter ones with neumes) are recorded. The order of the responses and antiphons does not match that of the Hartker antiphonary, Cod. Sang. 391.
Online Since: 12/20/2012
Martyrologium by Ado of Vienne († 875), the main part of which probably was not written in St. Gall, although the manuscript was kept there since the 11th century (supplements to the patron saints of St. Gall). At the end of the volume, there are annals-style notes about the comet of 1264, calendar dates, notes regarding the construction of the cities of Milan and Alexandria, the founding of the Cistercian Monastery of Wettingen, the discord between Emperor Frederick II and his son Henry VII around 1236 as well as the latter's imprisonment, and hexameters regarding the correct preparation of eucharistic bread (p. 601-602).
Online Since: 12/13/2013
The manuscript contains the antiphons, invitatories, and responsories for certain offices of saints, and then the Alleluia verses and sequences for the feast-days of some saints. The majority of the chants are provided with adiastemmatic neumes. A note on p. 112, written before the turn of the 15th century, has neumatic notation on staves. As the leather covering on the spine and the back cover is entirely missing, the Gothic cover joint is very visible from the outside. According to the ownership note on p. 3, in the eighteenth century the manuscript was in the Abbey of St. Johann in Toggenburg.
Online Since: 04/25/2023
Important musical manuscript in very small format containing the repertory of tropes, Ordinary chants and sequences in use around 930/940 in the monastery of St. Gall. With discrete texts and compositions by numerous St. St. Gall monks (Notker Balbulus, Tuotilo, Ratpert, Notker Physicus, Waltram and others). The manuscript was intended for the cantor who indicated the melody to the other singers.
Online Since: 05/24/2007
This small-format prayer book of Franz Gaisberg, who later became Abbot of St. Gall (abbot 1504–1529), only contains prayers in Latin. It begins with a calendar (f. 1r–12v) and a computistic table (f. 13r/v), followed by prayers about the passion (f. 14r–29v), prayers and antiphons to Mary (f. 31r–49r) and other saints (f. 49r–80r), as well as to the Commune sanctorum (f. 81v–83v), various other prayers (f. 83v–107r), as well as the liturgy of the hours for the passion and for the souls of the deceased (f. 107v–140r). There is no decoration except for initials with simple scroll ornamentation in red ink that stretch across two to four lines.
Online Since: 06/13/2019
A collection of vitae of 13 saints, among them – preserved only here – the vita of St Germanus of Moutier-Grandval in the canton of Jura, Switzerland, written by Bobolenus of Luxeuil ca. 690. A copy from the early 10th century.
Online Since: 12/12/2006
A collection of vitae of various saints from around 900, among them the vita of St. St. Gall monk Notker Balbulus from the early 13th century, written by an unknown monk. The manuscript also contains the so-called "St. Galler Schularbeit" (earlier known as "Ruodpert's Letter") from the 11th century.
Online Since: 12/12/2006
A composite manuscript containing the lives of the 12 Apostles and lives of additional ancient Roman saints, produced in about 900, probably not at the Abbey of St. Gall. The second and third parts were written in St. Gall during the 11th century and include, respectively, three Sermones (homilies) and two fragmental texts with liturgical content.
Online Since: 07/31/2009
Hagiographic manuscript collection containing the lives of numerous saints, especially the Benedictine saints, written and compiled in the Cloister of St. Gall between the 10th and 13th centuries. Among other items it contains the lives of saints Remaclus, Gangold, Willibrord (originally written by Alcuin of York), Ulrich of Augsburg (originally written by Abbot Bern of Reichenau) and Magnus (older and newer lives). Between the newer and older versions of the lives of Magnus is a pen sketch of the healing of a blind person in Bregenz on the Bodensee.
Online Since: 05/20/2009
Vitae of ancient Roman saints, among them – preserved here only – the Life of Pope Gregory the Great, composed by a monk from the English monastery of Whitby.
Online Since: 09/14/2005
Manuscript compilation from the second half of the 9th century, predominated by lives of the early Christian and early Frankish saints. The codex contains, among other items, the life history of St. Augustine written by Possidius as well as a catalog of the writings of Augustine, a copy of the life history of St. Remaclus with dedicatory letter and prologue (from the 11th century), and the lives of Saints Sualo (an Anglo-Saxon who lived at Einsiedeln), Pelagius, and Purchard.
Online Since: 12/09/2008
A copy of the Life of the Saint and Pope Gregory I. by Johannes Diaconus (825-880/882), produced at the Abbey of St. Gall around the year 900.
Online Since: 12/21/2009
Manuscript collection produced at the monastery of St. Gall, containing the oldest known surviving version of the Casus sancti Galli by the monk Ratpert, in a copy from about 900. Additional longer texts, written down between the 9th and 13th centuries contain sermons by the early Church fathers, a register of the abbots of St. Gall from the 7th through the 13th centuries, hymns, and excerpts from the Collectio Canonum by Pseudo-Remedius as well as the Micrologus by Bernold of Konstanz.
Online Since: 12/09/2008
A copy of the excerpts made by Junianus Justinus from the lost history of the world (Historiae Philippicae) by the Roman historian Pompeius Trogus, produced in the 9th century, probably at the Abbey of St. Gall. At the end of the text is the famous Old High German St. Gallen scribal verse: Chumo kiscreib filo chumor kipeit.
Online Since: 12/21/2009
Hegesippus/Flavius Josephus, Jewish War. Copy from the 9th century.
Online Since: 12/31/2005
A much-used school manuscript containing the 15 books of the Metamorphoses by Publius Ovidius Naso with many interlinear and marginal glosses in Latin. The parchment shows signs of heavy use as well as dirt, and it is sewn in various places. Before the first pagination of the manuscript by the assistant librarian Ildefons von Arx around 1780, the text from Book 8, V. 564, to Book 10, V. 429, was missing, as noted on p. 62. At the end of the manuscript, there are pen trials, some of them of historical content, such as the mention of an earthquake on September 4, 1298 on p. 112 or the mention of a scribe by the name of Johannes (Qui me scribebat Iohannes nomen habebat).
Online Since: 06/23/2014
Manuscript compilation containing the works of Abbot Bernard of Reichenau (about 978- 1048; Abbot 1008-1048): a fragmentary copy of a long dedicatory codex, delivered by Bernard to King Heinrich III on the occasion of the Synod of Konstanz in the year 1043. Also contains the Epistola de tonis (on psalmodic musical tones), sermons for the high holy days of the Church year, sermons about St. Mark, the patron saint of Reichenau, hymns, sequences dedicated to Saints Ulrich, Gereon, and Willibrord, the holy office devoted to St. Ulrich, and a large collection of letters. Many of the works in this manuscript are the sole surviving exemplars from the second third of the 11th century.
Online Since: 12/09/2008
This manuscript, dated in two places to the years 1465 (p. 393) and 1467 (p. 181) and perhaps written by eight different hands, belonged to the Benedictine Convent of St. George near St. Gall and became part of the Abbey Library of St. Gall as part of an exchange around 1780/82. The codex, written entirely in German, contains the explanation of the Decalogue by Marquard of Lindau (pp. 3−176); the song Ain raine maid verborgen lag from Spiegelweise by Heinrich Frauenlob (pp. 177−181); instructions regarding attention during prayer, attributed to Thomas Aquinas (pp. 182−186); the Büchlein der ewigen Weisheit by Henry Suso (pp. 195−393); reflections on consecration (pp. 394−399) and on the Sunday (pp. 399−402); as well an anonymous treatise on death (pp. 405−422). Several parchment fragments from an 11th/12th century St. Gall liturgical manuscript containing neumes were used in order to reinforce this manuscript.
Online Since: 06/25/2015
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The first folder of Cod. Sang. 1397 contains fragments with musical notation from six liturgical manuscripts, and, at the beginning, a fragment with a commentary on the Metaphysics (p. 1-2). The fragments date from the tenth/eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The second folder of Cod. Sang. 1397 contains fragments, predominantly with musical notation, from nine liturgical manuscripts from the tenth/eleventh to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The third folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the eleventh to the thirteenth/fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fourth folder of Cod. Sang. 1397 contains fragments with musical notation from six liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fifth folder of Cod. Sang. 1397 contains fragments with musical notation from four liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The sixth folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the eleventh to the fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The seventh folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the twelfth to the fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eighth folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the eleventh/twelfth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The ninth folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the twelfth to the fourteenth century, and from a printed breviary.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The tenth folder of Cod. Sang. 1397 contains fragments, including two with musical notation, from six liturgical manuscripts from the tenth to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eleventh folder of Cod. Sang. 1397 contains fragments, including one with musical notation, from eight liturgical manuscripts from the ninth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The seventeenth folder of Cod. Sang. 1397 contains fragments from six liturgical manuscripts from the ninth to the fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twentieth folder of Cod. Sang. 1397 contains fragments from five liturgical manuscripts from the eleventh to the fourteenth century.
Online Since: 09/06/2023
The Etymologies of Isidore of Seville appears in this St. Gall manuscript from the second third of the 9th century, which is characterized by reorgainizations of the text as well as numerous corrections and additions made during the same period. The schematic drawings are in color, and the flyleaf contains a fragment with Anglo-Saxon minuscule from the end of the 8th century.
Online Since: 07/31/2009
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. One of the fragments (no. 5) contains a part of the Litany of the Saints.
Online Since: 06/23/2016
The so-called "Zürcher Psalter" (Zurich Psalter) or "St. Galler Psalter" (St. Gallen Psalter), written and decorated in the scriptorum of the monastery of St. Gall, with numerous initial capitals as well as with the oldest extant artistically sophisticated miniature found in the St. Gallen manuscripts, from about 820/830. Includes appended All Saints Litany and computational tables and diagrams. Used daily by the monks in the liturgy of the hours.
Online Since: 04/26/2007
The St. Gallen "Sacramentarium triplex" (three part sacramentarium: Sacramentarium Gregorianum, Sacramentarium Gelasianum, Sacramentarium Ambrosianum), which contains texts for the main prayers of the eucharistic liturgy, used by priests when saying Mass on various feast days and memorial days, not only for the Roman and the Roman-Gallic liturgies, but for the Milanese liturgy as well. A scholarly masterwork by the St. St. Gall monks from the tenure of Abbot-Bishop Salomon (890-920).
Online Since: 12/20/2007
Manuscript compilation containing, among other items, a copy of the epic Thebaïs (the Tales of Thebes) by the Roman poet Publius Papinius Statius († about 95 A.D.), written down and annotated with Scholien (commentaries) in the 11th century in the monastery of St. Gall. The volume also contains copies of two brief grammar texts from the 12th century, together with 10th century copies of computational tables and instructions as well as assorted excerpts from the works of the Venerable Bede († 735), set in writing in the 10th century.
Online Since: 12/20/2007
Compilation of numerous Latin writings of the St. St. Gall monk Notker the German († 1022), among them the works Distributio (concerning the boundary between grammar and logic), De dialectica and De rhetorica. Produced in the monastery of St. Gall in the first half of the 11th century.
Online Since: 04/26/2007