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This volume from the Carthusian Monastery of Basel contains handwritten and printed texts concerning questions on the history of the order, on the spiritual life, as well as on theological interpretations, as for example the commentary on Ecclesiastes by Denis the Carthusian (1402-1471). The handwritten parts are by various hands, among them the Carthusian Johannes Gipsmüller of Basel (1439-1484).
Online Since: 06/14/2018
This volume was written in the 13th century, probably by two alternating hands from France; it contains various astrological writings of Hellenistic-Arabic origin in the Latin translation of John of Seville, such as the Centiloquium Ptolemaei, as well as texts by Māšā'allāh, Alfraganus and Albumasar. This manuscript was part of the chained library of the Dominican Convent of Basel.
Online Since: 03/19/2015
This large, incomplete manuscript in folio format contains the summer portion and the Commune sanctorum of the homiliary by Paulus Diaconus. It was written by various hands in a 9th century Carolingian minuscule; in addition to initials drawn in ink and decorated with red scrolls which indicate an Irish influence, there are even several elegant incipits in capital script. The manuscript probably comes from Reichenau, certainly from the area of Lake Constance. It belonged to the Phillipps collection, later to Chester Beatty; it was bought in 1968 by Martin Bodmer.
Online Since: 06/23/2014
According to Beethoven, this is his “most accomplished work.” It celebrates the consecration of his student and sponsor, Archduke Rudolph, as Archbishop of Olomouc (Olmütz) in 1818. This mass was begun in 1818; it was completed three years after the ceremony and was presented to the cardinal and archbishop on 19 March 1823. This mass in D major seeks to express and communicate, in the words of the composer himself, a state of mind, a religious Stimmung. It is written for a large orchestra and consists of five movements (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) The sections of the Gloria, imposed by the meaning of the text, constitute a sonata: allegro in D major, Gratias in B flat and back to the allegro; then the larghetto and as a third movement the allegro, Quoniam, the fugue In gloria Dei Patris, with a cyclical return to the theme of the Gloria in the principal tone. The music comments on the text: royal acclamation, heartfelt gratitude, divine omnipotence; then, in contrast: prayers, shouts and murmurs of the supplicants of this world (miserere nobis). Purchased at Sotheby's, London, 4 February 1952.
Online Since: 09/26/2017
This parchment booklet from the parish archives of Dalpe (Leventina) contains the story of the suffering of St. Placidus of Disentis. Although the text is not complete, it contains a passage about the saint's martyrdom, which is not included in the text's principal manuscript held at the Zentralbibliothek of Zurich (Ms. Rh. 5). The community of Dalpe probably obtained this Passio so they could celebrate a yearly mass in honor of the saint in the new village chapel. The chapel had originally been dedicated to the Mary, but, as attested by documented sources, the patronage changed between 1370 and 1426, and the chapel was dedicated to St. Placidus.
Online Since: 09/23/2014
This codex can be dated to the 10th century; it contains the Musica enchiriadis (2-27), a 9th century music theory treatise which endeavors to develop a series of rules for polyphonic composition, as well as annotations to the commentary Scolica enchiriadis (27-45, 66-102). Dasian notation is used in order to graphically illustrate the music. For a long time, this treatise was attributed to the monk Hucbald, but today it is considered the work of an anonymous author.
Online Since: 03/22/2017
Probably written around 1200 in Hauterive, this Cistercian missal has recently attracted the attention of historians who study St. Elizabeth of Hungary (1207-1231). Together with another manuscript from Hauterive, the antiphonary L 301, this manuscript is considered evidence of the rapid spread of the cult of the saint in a Cistercian monastery. Indeed, the general chapter of the Cistercians decided in 1236 to have the name of the saint, who was canonized the previous year, entered into the martyrology and into the calendar of the order. The corresponding entry in our manuscript's calendar, by a second hand, is probably a consequence of this decision.
Online Since: 04/09/2014
This booklet, written by a single hand around the middle of the 15th century, was used for the prayer of the little hours at the Schönsteinbach Convent of Dominican nuns in Upper Alsace. It contains the texts of the Proprium de tempore and of the Commune Sanctorum. The last part contains the Ordinarium, but it is incomplete. Philipp Jakob Steyrer, Abbot of St Peter's Abbey in the Black Forest, purchased the book in 1781; through him, it came to Mariastein Abbey.
Online Since: 09/26/2017
This small volume contains a collection of organ works and sacred songs, among them several unique examples by Tarquinio Merula, Martin Benn, Jakob Bannwart (organ music) and Isabella Leonarda (motets from her lost Opus 1). The collection was created “Ad usum Jo: Victoris Ruossingeri Solodorensis. Ao 1656.” The writer probably was Johann Victor Russinger (1630–1700), then chaplain and later canon of St. Ursus in Solothurn. In the 19th century, this small volume was owned by the Solothurn Franciscan Franz Ludwig Studer (1804–1873); later it became part of the Central Library of Solothurn.
Online Since: 10/08/2015
This liturgical manuscript (Sharaknots or Sharakan) contains a collection of over a thousand hymns, organized into eight groups, for use in the Armenian Church. Many of these hymns were composed by prominent figures in the Armenian Church, while others are early translations from sacred hymns of the early Christian Church. The texts include Armenian khaz notation. This manuscript was written by the scribe Simeon in the year 1662 in the city of Brnakot, in the province of Siounik, an important center for liturgical manuscript production in southern Armenia. The book decoration consists of 8 headpieces, 120 ornamental and zoomorphic initials, and numerous simple red initials. The manuscript features its original Moroccan limp vellum binding with blind tooling.
Online Since: 07/04/2012
Liturgical manuscript (Sharaknots), written by the copyist Awetis in Khizan in the province Van in the year 1647 (1096 according to the Armenian calendar). It contains 11 large miniatures and 28 miniatures in the margins, executed and signed by the painter Yovanes Gharietsi. He was one of the most fascinating artists of the late School of Vaspurakan. The manuscript is part of certain hymnals, created for private customers in the region of Lake Van and characterized by bright colors and interlace ornamentation. The manuscript features the Armenian Khaz-notation. The text contains the collection of hymns in use in the Armenian Church, in the same order as in a Hymnarium printed as a first edition in Amsterdam in the year 1664. Three more hymnals of this type, also the result of the collaboration of these two artists, are known: two in Jerusalem and one in Jerewan. Attached in the beginning and at the end are two sheets of parchment containing a part of the Proprium de Sanctis from a Latin breviary from the 13th/14th century.
Online Since: 04/23/2013