At an unknown date, this late 12th century parchment bifolium was used as binding, as attested by traces of folding in the lower margin. It contains an excerpt of the Tristia, a collection of letters in elegiac couplets written by Ovid during his exile. The text is continuous, which indicates that the bifolium came from the middle of a quire; only a few verses are missing due to a cut in the upper part of the leaf. It was purchased by Martin Bodmer in 1958 from the bookseller Kraus in New York.
Online Since: 06/13/2019
These two illuminated maps probably were part of an atlas of nautical charts of the Mediterranean, also called Portolan. The first map is north-facing and shows a part of the coasts of the Atlantic Ocean and of the Mediterranean on both sides of the Strait of Gibraltar, between the Canary Islands and northern Italy. The second map is western-facing and shows the islands of the Aegean Sea between Crete (Candia) and Thessaloniki, Greece and Asia Minor, with Troy and Constantinople sketched in anachronistically. A scale for the latitudes on the first map, graduated distance scales near the margins, rhumb lines, and wind roses decorated with fleurs-de-lis accompany the red and black coastal toponyms written perpendicular to the coasts. Their very stylized arrangement emphasizes the headlands and estuaries, and the cartographer also depicted some rivers, albeit without great precision. In the interior and rather vaguely placed are miniature pictures of cities with banners, mountains, and trees. At sea, a few ships and a marine animal appear on both maps. The names of the regions are written on banners or in larger letters. The particular style of the design of the cities, the decorations, and the writing refers back to the work of Giovanni Battista Cavallini or his successor Pietro Cavallini, who worked in Livorno between 1636 and 1688.
Online Since: 12/12/2019
The plays of Terence were highly appreciated throughout the entire Middle Ages, as attested by this 11th century manuscript written in Carolingian script, which preserves fragments from two of his six comedies, Andria and Eunuchus. The fragments are of different sizes; between the 15th and 16th century, they were used as binding for registers, as evidenced by certain signs of use and of folds, as well as by dates written beside invocations of the Virgin, of Christ or of St. Thomas.
Online Since: 10/10/2019
This finely painted illustration, executed in vibrant and colorful opaque colors, has been cut out. It depicts the Presentation of Jesus in the Temple as described in the Gospel of Luke. Mary and Joseph bring the infant to the old prophet Simeon in order to receive his blessing. One of the two women behind Mary holds two doves in her right hand, which are to be sacrificed according to the requirements. In her left hand the woman carries burning candles, which indicate the feast to which this event is dedicated, i.e. Candlemas. Below Jesus, three small kneeling figures are praying: a Dominican nun and the donor couple. The scene is inserted into an N-initial decorated with scroll ornamentation at the beginning of the Canticle of Simeon for the feast of Mary: Nunc dimittis, domine, servum tuum in pace (Lord, now let your servant depart in peace, according to your word). The words visible at the top Intercede pro nobis (Pray for us [Holy Mother of God]) follow at the end of the song. An excerpt from the liturgical antiphon with the text Postquam impleti sunt dies purgationis (When the days of purification were completed) is preserved on the back. This fragment was purchased at auction at Sotheby's in London by the Canton of Thurgau in 1978; it came from the collection of Robert von Hirsch of Basel (1883–1977).
Online Since: 12/12/2019
This miniature was cut from a deluxe manuscript. The Annunciation of the Lord, depicted in the initial M-of the text Missus est Gabriel (Gabriel was sent), is celebrated on March 25. The Archangel Gabriel and Mary face each other in a vertically rectangular, geometrically designed border, each framed by an arch of the M. Gabriel holds a banderole with his greeting to the listening Mary AVE GRACIA PLENA (Hail Mary, full of grace). The side pillars of the letter M lead down into palmette leaves, which have been carefully cut out and thus protrude into the area surrounding the miniature. Above the palm leaves on the right there are red note lines and a single note. This illustration is from a particularly large-format book, an illustration of high painterly quality with light opaque colors in pink, green and blue tones, which are finely graded. The musical text on the back can be assigned to verses 2.2, 4.11 and 4.13 of the Song of Songs. This leaf comes from the same chorale manuscript as the miniature with the representation of the "Death of the Virgin". Both leaves show stations from the cycle of The Life of the Virgin, with T09393 illustrating the first stage and T 9394 the last. Stylistically they can be placed alongside three leaves from the collection de Bastard d'Estang in the Bibliothèque nationale de France in Paris (AD 152G, PL 842-3, AD 150H, PL 51). In 1994, the canton of Thurgau commercially acquired both fragments in Paris. Previously, they had been privately held in Switzerland.
Online Since: 12/12/2019
This particularly large-format book illustration was cut from a deluxe manuscript. In the initial V-to the text Vidi speciosam on the occasion of the feast of the Assumption on August 15, the Blessed Mother lies on her deathbed, surrounded by three apostles and Jesus, who receives her soul in the form of a small female figure. A vertically rectangular frame with a repeating geometric pattern surrounds the scene. Three branches with leaves and rosettes that are trimmed back grow from the left side of the initial V. The painting in tones of bright blue and red is of high quality. The lyrics on the back are taken from Bible verses 26 to 32 of Lectio prima from the Gospel of Luke. The leaf is from the same chorale manuscript as miniature with the representation of the "Annunciation to Mary". Both leaves show stations from the cycle of The Life of the Virgin, with T 9393 illustrating the first stage and T 9394 the last. Stylistically they can be placed alongside three leaves from the collection de Bastard d'Estang in the Bibliothèque nationale de France in Paris (AD 152G, PL 842-3, AD 150H, PL 51). In 1994, the canton of Thurgau commercially acquired both fragments in Paris. Previously, they had been privately held in Switzerland
Online Since: 12/12/2019
Fragment of a leaf from a chorale manuscript. Two rectangular illustrations, arranged one above the other on the left side of the picture, show two stations from the life of Catherine: In the upper picture she denies obedience to the emperor and turns her attention only to Jesus. The picture below depicts the spiritual relationship of courtly love (Minne) between Catherine and Christ. The rest of the parchment leaf as well as the back side contain liturgical text consisting of musical notation and song lyrics. Below a red staff with black notes is the corresponding line of text. The illustrations were created in a book painting workshop in which the gradual from the Convent of Dominican nuns St. Katharinental was also made (Swiss National Museum Inv. LM 26117 / Historical Museum Thurgau Inv. T 41401). The two miniatures can be attributed to the same hand as the group of figures underneath the Initial on fol. 179v in the gradual. Fragile figures with lively gestures, refined drawing of the faces, subdued colors as well as joy in pictorial narration with original picture elements distinguish this illuminator. This leaf was acquired by the Historical Museum Thurgau in 2011 at an auction in Zurich.
Online Since: 12/12/2019
Around 1220 Konrad Fleck translated the romantic novel "Flore et Blancheflor", written in 1160 by an unknown Provençal poet, into High Alemannic. The complete work consists of about 8,000 verses. Several fragments of an early copy of Fleck's translation have survived in the parish archives of Frauenfeld. The parchment pieces had been used as a cover for a tribute register from the prebend of St. Michael.
Online Since: 06/23/2016
These fragments, which were discovered in an index volume by the archivist of Moudon in 1931, were named for the place where they were found. According to the manuscript department's entry register, the fragments were added to the collection of the Bibliothèque cantonale et universitaire - Lausanne in 1950. The document contains 21 entries on plants whose medicinal powers are described. The total number of chapters in the original manuscript is not known. According to Eugène Olivier, who edited the text together with Paul Aebischer, it was not copied by a practicing physician but by a scribe, because there are reading errors such as "sanc" (blood) instead of "sint" (fat).
Online Since: 10/08/2020
Along with Heidelberg, Universitätsbibliothek Pal. lat. 921, this fragment from the Fulda Abbey Scriptorium constitutes one of two documented manuscripts of the Getica by Jordanes, written in a (continental) Anglo-Saxon minuscule; it is not, however, a part of the last leaf of Pal. lat. 921, which has been missing since the beginning of the 19th century. Along with Palermo, Archivio di Stato "Codice Basile" and Rome, Biblioteca Vaticana Ottob. lat. 1346, and together with Pal. lat. 920, this remnant of a leaf is among the oldest text witnesses of the Getica. It could be a part of a manuscript by Jordanes that had been attested in Fulda until the middle of the 16th century.
Online Since: 10/13/2016
Fragment of an evangeliary written around 800. It contains the pericopes necessary for the entire liturgical year. The surviving parts begin with the pericope for Septuagesima Sunday and suggest that, in addition to Sundays and holidays, gospels were chosen for every Wednesday and Friday, and during Lent - as in the Missale Romanum - for every day of the week. The final part contains the gospels for the votive Mass, however only four pericopes have survived. The script indicates a scriptorium in Raetia Curiensis as place of origin.
Online Since: 09/26/2017
Fragment of a copy of Gregory the Great's Homilies on the Gospels, created around 800. Two excerpts remain: the first section of text, consisting of parts of chapter 17 (17.16-17.18), is a commentary on Luke 10, 1-9, i.e. the verses concerning the sending out of the seventy-two disciples. The second section of text, containing parts of chapter 18 (18.2-18.3), refers to John 8.46-59. These verses are a commentary on a dispute between Jesus and “the” Jews as well as the high priests; it concerns the identity of Jesus or rather his claim of identity, his message and the rejection thereof.
Online Since: 09/26/2017
Fragment of a 13th century manuscript. Parts of the hymn Gloria in excelsis Deo and the Agnus Dei have survived. This is followed by five lines from the trope of baptism, which begins with Quoniam Dominus and ends with coaeternum Patri. The title Tropi makes clear that the text contained more tropes.
Online Since: 09/26/2017
Handwritten fragment of the hymn Gloria in excelsis Deo from the 15th century. The final part has survived with [mise]rere nobis. Quoniam tu solus Sanctus, tu solus Dominus, tu solus Altissimus, Iesu Christe, cum Sancto Spiritu: in gloria Dei Patris. Amen.
Online Since: 09/26/2017
Fragment of a cartulary written around 800. Copies, in part complete, of six deeds of donation have survived. With these, several persons donated - for the salvation of their own soul or for that of relatives - pieces of land to the churches St. Hilarius in Chur and St. Carpophorus in Trimmis. The fact that the two churches St. Hilarius in Chur and St. Carpophorus in Trimmis are named as beneficiaries of the donations suggests that this fragment was part of an episcopal cartulary.
Online Since: 09/26/2017
Fragment of an excerpt from the Book of Leviticus, copied around 800. It comprises verses 4.27-6.10, which contain a part of the laws on sacrifice (chap. 4-6). This copy, which generally corresponds to the Vulgate, constitutes a written record from the Rhaetian area.
Online Since: 09/26/2017
Fragment of an excerpt from the Book of Leviticus, copied around 800. It comprises verses 15.20-18.6, which contain purity laws (chap. 15), regulations for the ritual celebration of the day of atonement (chap. 16), laws governing the eating of meat and the rituals related thereto (chap. 17), as well as God's demands to keep His commandments and a regulation concerning marriage and chastity (chap. 18). This copy, which generally corresponds to the Vulgate, constitutes a written record from the Rhaetian area.
Online Since: 09/26/2017
Parchment fragment (1 leaf) with an excerpt from an evangeliary from around 800. The text is written in a graceful Rhaetian minuscule. The titles are rubricated and individual uppercase letters are executed in red. The surviving section of text covers Septuagesima to Quinquagesima Sundays well as the Sundays and weekdays from the first Sunday of Lent to the first Passion Sunday.
Online Since: 09/26/2017
Part of a leaf from the third volume (May-June) of a Fulda Legendary that originally consisted of six volumes, commissioned in 1156 by Rugger, monk at Frauenberg Abbey in Fulda (1176-1177 abbot of Fulda as Rugger II). This fragment contains parts of the Passio sanctorum Marci et Marcelliani as well as of the Vita s. Bodardi; it was probably written by Eberhard of Fulda. The legendary was still used in the middle of the 16th century in Fulda by Georg Witzel (1501-1573) for his Hagiologium seu de sanctis ecclesiae (Mainz 1541) as well as for his Chorus sanctorum omnium. Zwelff Bücher Historien Aller Heiligen Gottes (Köln 1554). Other fragments from this third volume are in Basel and Solothurn. It shows that this volume, and at least the 6th volume (November-December) of the legendary as well, reached Basel, where both evidently were used as manuscript waste around 1580.
Online Since: 06/13/2019
These antiphonary fragments, which were copied around 1136/1140 and were scraped and corrected around 1140/1143, constitute a blank cover. Doubtlessly the parchment pieces of various sizes were glued together by the nuns of Fille-Dieu in order to cover a now lost liturgical formulary. Together, FiD 1 and FiD 2 constitute relics of antiphonaries that contained the primitive Cistercian liturgy. This was defined by Fr. Kovacs (“Fragments du chant cistercien primitif“, ASOC 6 [1950], pp. 140–150) and Chr. Waddell (The Primitive Cistercian Breviary, Fribourg, 2007 [Spicilegium Friburgense 44]) as the liturgy reformed by Stephen Harding shortly after 1108. During this reform, the abbot of Cîteaux forced the order to adopt the antiphonary of Metz, which was in use by the order until the time of the second reform under Bernard of Clairvaux. This second reform was completed in the early 1140s. The existence of Bernardine drafts had until now been known through antiphonary 12A-B from Westmalle Abbey (Belgium) and through the one from Tamié Abbey 6 (Savoy). Codicological analysis of the flyleaves of FiD 1 and of the fragments of FiD 2 reveals that all pieces come from the Swiss Abbey of Fille-Dieu; they share identical status and common characteristics, irrespective of current holding sites. The same hands and correcting hands can be recognized, the same types of ornamentation and the same later touch-ups, which were done at the earliest in the 16th century, probably by the nuns or by the monks of Hautcrêt Abbey (Oron, VD), which was the mother house of Fille-Dieu until 1536.
Online Since: 03/22/2018
This mutilated bifolium in Anglo-Saxon and Carolingian minuscule represents the sole surviving remainder of the Thuringia-cartulary of Fulda. It was part of the eight volume cartulary of the Monastery of Fulda, arranged by region, which was compiled under Hrabanus-Maurus in the second quarter of the 9th century. In addition to a complete volume in the state archives of Marburg (K 424), evidence for the entire work comes from various fragments in the municipal archives of Leutkirch in the Allgäu and in the university library of Tübingen (Mm I 7).
Online Since: 10/08/2015
The Chanson de la Reine Sebile or Macaire is a work from the end of the 12th century that belongs to the medieval French epics, more precisely to the epics that refer to the "poetic biography of Charlemagne": Macaire, who is in love with Queen Sebile, wife of Charlemagne, conspires so that she is unjustly accused of adultery, cast out, and sent into exile, to be rehabilitated in the end. More than 200 alexandrines from this heroic epic are known. They come from five different fragments that were not part of the same original manuscript and are today held in Brussels, Royal Library of Belgium (ms. II 139, ff. 3r-4r: 2 13th century fragments), in Sheffield, University Library (ms 137: 2 13th century fragments), and in Sion, State Archive of Valais. The fragment from Sion was discovered in 1925 by Leo Meyer, cantonal librarian and state archivist, in an old binding and removed. It was then edited by Paul Aebischer (1950), who dated it to around 1300. The fragment, which has a hole in one place, contains 168 verses in two columns. Its only decoration are red initials at the beginning of the verses.
Online Since: 12/10/2020
A leaf in Carolingian minuscule, containing a fragment of De institutione musica by Boethius (Liber VI, chap. 18 and Liber V, Capitula). It constitutes the upper half of the left leaf of fragment R 1.1.10 from the state archives of Solothurn. It is part of the same manuscript as the fragments R 1.5.7, R 1.5.8 and R 1.1.11 from the above-mentioned archives. It was probably used as binding for a document from the archives of the collegiate church of St. Leodegar in Schönenwerd.
Online Since: 12/14/2017
Lower half of a bifolium in Carolingian minuscule, containing a fragment of De institutione musica by Boethius (Liber VI, chap. 18 and Liber V, Capitula and chap. 2). The upper half of the left part is fragment R 1.1.9 from the state archives of Solothurn. This fragment is part of the same manuscript as the fragments R 1.5.7, R 1.5.8 and R 1.1.11 from those same archives. It was probably used as binding for a document from the archives of the collegiate church of St. Leodegar in Schönenwerd.
Online Since: 12/14/2017
Upper half of a leaf in Carolingian minuscule, containing a fragment of De institutione musica by Boethius (Liber I, Proemium, chap. 2). It is part of the same manuscript as the fragments R 1.5.7, R.1.5.8, R 1.1.9 and R.1.1.10 from the state archives of Solothurn. It was probably used as binding for a document from the archives of the collegiate church of St. Leodegar in Schönenwerd.
Online Since: 12/14/2017
Bifolio from the third volume (May-June) of a Fulda Legendary that originally consisted of six volumes, commissioned in 1156 by Rugger, provost of Frauenberg Abbey in Fulda. This fragment contains parts of the vita of Boniface by Otloh of St Emmeram; it was written by Eberhard von Fulda. The legendary was still used in the middle of the 16th century in Fulda by Georg Witzel (1501-1573) for his Hagiologium seu de sanctis ecclesiae (Mainz 1541) as well as for his Chorus sanctorum omnium. Zwelff Bücher Historien Aller Heiligen Gottes (Köln 1554). Other fragments from this third volume are in Basel and Nuremberg. It shows that this volume, and at least the 6th volume (November-December) of the legendary as well, reached Basel, where both evidently were used as manuscript waste around 1580. The P-initial 1r has a representation of Boniface inside the bowl of the initial; below that is Rugger, who commissioned the legendary.
Online Since: 12/14/2017
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
The Urbarium of Salerno from the end of the twelfth century records the land holdings of and duties owed to the church of Salerno. Today only 31 unbound leaves remain of the originally larger codex executed in Beneventan minuscule. The urbarium is for the most part a palimpsest: a tenth-century codex of the Etymologiae of Isidore of Seville copied in Beneventan minuscule.
Online Since: 12/20/2023
Bifolium in Carolingian minuscule, containing a fragment of De institutione musica by Boethius (Liber I, chap. 18-19, 20). It is part of the same manuscript as the fragments R 1.5.8, R 1.1.9, R 1.1.10 and R 1.1.11 from the state archives of Solothurn. This bifolium was used as binding for the Liber fabricae sub littera C, with accounts from 1522 to 1528 from the collegiate church of St. Leodegar in Schönenwerd.
Online Since: 12/14/2017
Bifolium in Carolingian minuscule, containing a fragment of De institutione musica by Boethius (Liber I, chap. 23-14 and Liber II, chap. 8). It is part of the same manuscript as the fragments R 1.5.7, R 1.1.9, R 1.1.10 and R 1.1.11 from the state archives of Solothurn. This bifolium was used as binding for the Liber Cellae sub littera AA, with accounts from 1520 from the collegiate church of St. Leodegar in Schönenwerd.
Online Since: 12/14/2017
Parchment bifolium containing a part of the 9th century treatise on music theory Musica enchiriadis. While it was attributed to the Benedictine monk Hucbald for a long time, today it is considered the work of an anonymous author. The bifolium was used as binding for the Liber Cellae sub littera V, with accounts from 1526 to 1528 from the collegiate church of St. Leodegar in Schönenwerd.
Online Since: 12/14/2017
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Remnants of an Alcuin's Bible from the Dominican Monastery of Bern, which were used around 1495 by the bookbinder Johannes Vatter as pastedowns for various incunables that are currently held in Bern and Solothurn. After the secularization of the monastery in 1528, the host volume reached Solothurn; it was first held in the library of the St. Ursus Monastery, after its secularization in the cantonal library, one of the predecessors of the current Solothurn Central Library. Reunification of the fragments: [sine loco], codices restituti, Cod. 5 (Biblia latina).
Online Since: 12/12/2019
Fewer than ten textual witnesses of Theodulf of Orléans' († 821) version of the Vulgata have survived. Numerous fragments of such a 9th century Theodulf Bible from the collegiate church of St. Ursus in Solothurn, where it was cut up and used as binding material, have been preserved in the state archives of Solothurn and the central library of Solothurn. Virtual reunification of the fragments: [sine loco], codices restituti, Cod. 3 (Biblia Theodulfi Fragmenta).
Online Since: 03/19/2015
Innermost bifolium of a quire whose second innermost bifolium is preserved in Chicago, Newberry Library Case MS Fragment 7. It is the remainder of a Fulda manuscript from the 2nd third of the 9th century with the so-called Collectio Veronensis of the acts of the Third Ecumenical Council of Ephesus in 431. The codex was obviously used as waste paper in modern times in Switzerland. When and by what route it reached Switzerland from Fulda cannot be determined; however, it may have arrived there, like a number of other Fulda manuscripts, in the first half of the 16th century as a potential text source for prints by Basel print shops. For a virtual combination of the two fragments see [sine loco], codices restituti, Cod. 6, Concilium Ephesinum.
Online Since: 06/18/2020
Leaf from the fourth volume (Juli-August) of a Fulda Legendary that originally consisted of six volumes, commissioned in 1156 by Rugger, monk at Frauenberg Abbey in Fulda (1176-1177 abbot of Fulda as Rugger II). This fragment contains parts of the Vita s. Amalbergae and probably was written by Eberhard of Fulda. The legendary was still used in the middle of the 16th century in Fulda by Georg Witzel (1501-1573) for his Hagiologium seu de sanctis ecclesiae (Mainz 1541) as well as for his Chorus sanctorum omnium. Zwelff Bücher Historien Aller Heiligen Gottes (Köln 1554). This is the only verifiable fragment from the 4th volume. The remaining surviving fragments from the legendary are in Basel, Solothurn and Nuremberg. They are from the third (May-June) and sixth (November-December) volume and show that these volumes at least reached Basel, where both evidently were used as manuscript waste around 1580.
Online Since: 06/13/2019
These are two well preserved fragments of a Psalterium iuxta Hebraeos, which were probably written in the 10th century at the monastery of St. Gall, following the model of Cod. Sang. 19. In 1963 both fragments were detached from a messenger bag; they are held in the town archive of Urnäsch (Appenzell Ausserrhoden).
Online Since: 10/08/2015
This parchment fragment from Martin le Franc's Champion des Dames (Book I, v. 3901-v. 4062 + Book II, v. 4313-v. 4470) is from the 15th century. The text corresponds to that of the Deschaux edition (1999). Carefully copied in two columns, the different stanzas of the poem are introduced by colored initials, alternating red and blue, and by champie initials. Book II opens with a decorated initial on a gold background, badly worn due to the fragment's use as binding for a land register during the 17th century. This land register belonged to Jaques Etienne Clavel, co-ruler of Marsens, Ropraz and Brenles (fol. 2r).
Online Since: 12/14/2018
Leaf from a calendar — the months January and February — from a liturgical manuscript (Psalter? breviary?). The calendar was inserted into a cornice resembling arcades. For the month of January, the figure of St. Peter with his keys is depicted at right, while a medallion at the top shows an activity typical for this month: a man warming himself by a fire. For February, there is St. Matthias and in the medallion at the top a man trimming a tree in order to obtain wood. Signs of a central fold reveal that the leaf had been used as a cover, probably for a book.
Online Since: 12/20/2016
Fragment of page f. 158a verso from the gradual of St. Katharinental, which was removed in the 19th century, and the miniatures from which were sold separately. The initial A shows Christ bestowing a blessing with John the Evangelist, who is resting his head on Christ's knees; kneeling at their feet is a praying Dominican monk, in the frieze at the side, a Dominican nun. Below the initial there used to be a frame (today in Zürich, Swiss National Museum, LM 29329.2) with a painting of the Madonna of the Apocalypse accompanied by John the Evangelist, while two kneeling Dominicans pray under two arcades. Originally the same leaf also had an initial V (today in Vienna, Graphische Sammlung Albertina, Inv. Nr. 32434) with a very detailed representation of the Maiestas Domini and of the Last Judgement. The fragment belongs to the Swiss Confederation, the Gottfried Keller Foundation and the Canton of Thurgau.
Online Since: 03/22/2017
Fragment of page f. 158a verso from the gradual of St. Katharinental, which was removed in the 19th century, and the miniatures from which were sold separately. It shows the Madonna of the Apocalypse, accompanied by John the Evangelist, while two kneeling Dominicans pray under two arcades. The frame was placed below an initial A (today in Zürich, Swiss National Museum, LM 29329.1), which shows Christ bestowing a blessing with John the Evangelist, who is resting his head on head on Christ's knees; kneeling at their feet is a praying Dominican monk, in the frieze at the side, a Dominican nun. Originally the same leaf also had an initial V (today in Vienna, Graphische Sammlung Albertina, Inv. Nr. 32434) with a very detailed representation of the Maiestas Domini and of the Last Judgement. The fragment belongs to the Swiss Confederation, the Gottfried Keller Foundation and the Canton of Thurgau.
Online Since: 03/22/2017
Fragment with a representation of the crucifixion, from an I-initial. This initial consisted of several medallions and decorated page f. 87a of the gradual of St. Katharinental. In the 19th century, this leaf was removed from the gradual, and the medallions were sold separately. Of the 9 or 10 medallions that originally made up the body of the letter I, there are known today, in addition to this one, medallions with the following scenes: the Last Supper (Zurich, Swiss National Museum, Inv. LM 71410), the Arrest of Christ (Nürnberg, Germanisches Nationalmuseum, Inv. Mm. 34 kl), Christ before Pilate (Zurich, Swiss National Museum, LM 55087), the Crowning with Thorns (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 15932), the Bearing of the Cross (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 14312) and the Descent from the Cross (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 15933). The fragment belongs to the Swiss Confederation, the Gottfried Keller Foundation and the Canton of Thurgau.
Online Since: 03/22/2017
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. One of the fragments (no. 5) contains a part of the Litany of the Saints.
Online Since: 06/23/2016
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. One of the fragments (no. 5) contains a part of the Litany of the Saints.
Online Since: 06/23/2016
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. One of the fragments (no. 5) contains a part of the Litany of the Saints.
Online Since: 06/23/2016
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. One of the fragments (no. 5) contains a part of the Litany of the Saints.
Online Since: 06/23/2016
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. This fragment contains a part of the Litany of the Saints.
Online Since: 06/23/2016
One of six parchment leaves from a book of hours, written in bastarda and datable to the second half of the 15th century. It contains illuminated initials, executed in gold on a background alternating between blue and pink; ornamental vine scrolls, sketched in pen and decorated with trifoliate leaves, extend from the initials to the margin. One of the fragments (no. 5) contains a part of the Litany of the Saints.
Online Since: 06/23/2016
Parchment fragment from a Book of Hours of French origin, which contains a part of the Office of the Virgin.
Online Since: 06/23/2016
Leaf from a calendar (the month of January, divided on two pages), from a small-format liturgical manuscript, probably a breviary. The calendar entry for January 11th for the feast day obitus Tercii regis. Duplex, which commemorates the Magi, suggests that the calendar was used in the diocese of Cologne. The book decoration draws on Italian illumination (from Padua and Ferrara) customary in the second half of the 15th century.
Online Since: 06/23/2016
Fragment with a depiction of Christ before Pilate, from an I-Initial. This initial consisted of several medallions and decorated page f. 87a of the gradual of St. Katharinental. In the 19th century, this leaf was removed from the gradual, and the medallions were sold separately. Of the 9 or 10 medallions that originally made up the body of the letter I, there are known today, in addition to this one, medallions with the following scenes: the Last Supper (Zurich, Swiss National Museum, LM 71410), the Arrest of Christ (Nürnberg, Germanisches Nationalmuseum, Inv. Mm. 34 kl), the Crowning with Thorns (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 15932), the Bearing of the Cross (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 14312), the Crucifixion (Zurich, Swiss National Museum, LM 45751) and the Descent from the Cross (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 15933). The fragment belongs to the Swiss Confederation, the Gottfried Keller Foundation and the Canton of Thurgau.
Online Since: 03/22/2017
Fragment with a representation of the Last Supper, from an I-initial. This initial consisted of several medallions and decorated page f. 87a of the gradual of St. Katharinental. In the 19th century, this leaf was removed from the gradual, and the medallions were sold separately. Of the 9 or 10 medallions that originally made up the body of the letter I, there are known today, in addition to this one, medallions with the following scenes: the Arrest of Christ (Nürnberg, Germanisches Nationalmuseum, Inv. Mm. 34 kl), Christ before Pilate (Zurich, Swiss National Museum, LM 55087), the Crowning with Thorns (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 15932), the Bearing of the Cross (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 14312), the Crucifixion (Zurich, Swiss National Museum, LM 45751) and the Descent from the Cross (Frankfurt am Main, Städelsches Kunstinstitut, Inv. Nr. 15933). The fragment belongs to the Swiss Confederation, the Gottfried Keller Foundation and the Canton of Thurgau.
Online Since: 03/22/2017