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Pontifical rites for Johannes Feierabend, Abbot of the Cloister at Muri from 1500 through 1508. On July 12, 1507 Pope Julius II conferred the pontifical upon Abbot Johannes Feierabend and his successors.
Online Since: 11/03/2009
This large-format antiphonary, with rich fleuronné decoration from the second quarter of the 14th century, contains the chants of the Office from Pentecost to the beginning of Advent. It was written for the St. Leonhard Monastery of Augustinian canons in Basel and only came to Muri Abbey in modern times.
Online Since: 06/18/2020
First volume (Temporale) of the two-volume gradual with liturgical songs that Abbot Laurentius of Heidegg from Muri Abbey purchased from the convent of canonesses at Säckingen in 1532, after the furnishings of Muri Abbey, along with the liturgical books, were destroyed in the Second War of Kappel. The abbot had the large pen-flourish initial at the beginning painted over with the miter, the abbatial crozier, his own coat of arms and that of the abbey.
Online Since: 10/04/2018
Second volume (sanctorale) of the two-volume gradual, which Abbot Laurentius of Heidegg from Muri Abbey purchased from the convent of canonesses at Säckingen in 1532, after the furnishings of Muri Abbey, along with the liturgical books, were destroyed in the Second War of Kappel. The abbot had the large pen-flourish initial at the beginning painted over with the miter, the abbatial crozier, his own coat of arms and that of the abbey.
Online Since: 10/04/2018
First volume (winter part) of the two-volume antiphonary with the chants of the Liturgy of the Hours; it was used alternately with MsMurFm9. This large-format manuscript from the 15th century is largely unadorned. On the basis of the responsories of the Advent season, it can be assigned to the Cistercian Order.
Online Since: 06/18/2020
Second volume (summer part) of the two-volume antiphonary that was used alternately with MsMurFm6. This large-format manuscript from the 15th century is largely unadorned. On the basis of the feasts of saints (Bernard of Clairvaux, Edmund of Abingdon, Robert of Molesme), it can be assigned to the Cistercian Order.
Online Since: 06/18/2020
This small, thick paper and parchment manuscript from the library of the Carthusian Monastery of Basel must have been intensely used, as suggested by soiling and signs of heavy usage. The original red leather binding is covered with another layer of leather that sticks out beyond the covers at the bottom and can be folded over the lower edge as protection. The manuscript contains prayers, hymns and other devotional texts by numerous different authors — primarily saints and popes — such as Mechthild of Magdeburg or Bernard of Clairvaux. Also represented are Carthusian authors such as Heinrich Arnoldi. Several colored woodcut and metalcut prints have been glued onto leaf 4v and 316v.
Online Since: 12/14/2018
The Psalterium feriatum was written in 1472 by the Carthusian monk Johannes Gipsmüller of Basel. Although there is no note of ownership, it certainly was meant to be used in his monastery. Throughout the Psalter there are hymns, antiphons, etc., many with musical notations. For quickly finding texts in the Liturgy of the Hours, red and white tabs protrude from the front edge.
Online Since: 03/19/2015
In addition to the Rosarium Jesu et Mariae by the Belgian Carthusian Jacobus van Gruitrode, this small-format codex from the Carthusian Monastery of Basel contains letters by two representatives of the Devotio Moderna, Florens Radewijns and Geert Groote, as well as excerpts from the Bible and from commentaries, various prayers, and diverse shorter and longer fragments of varying content.
Online Since: 10/04/2018
This composite manuscript from the Carthusian Monastery of Basel, written by various 15th century hands, is decorated simply. The manuscript contains a miniature; on a torn out page, only remnants of a second miniature can be discerned. In two places, musical notes are added to the text. The texts collected in this volume consist almost exclusively of prayers, most of which are quite short, sometimes taking up no more than half a page of the already small-format manuscript. Some prayers are in prose, others are in verses.
Online Since: 12/10/2020
This manuscript contains the French text of the heroic epic (chanson de geste) Ami et Amile. The scribe gives the period of the creation of this copy (from 16 May to 23 June 1425) in a colophon. The text is written in a Gothic cursive and is punctuated by numerous rubricated initials that mark the beginning of each verse. The modern cardboard binding is covered by a parchment fragment from a 15th century missal. An inscription on the flyleaf indicates that this volume was a gift to the writer Anne de Graville (1490-1540). Later it was part of the collection belonging to her son-in-law, the bibliophile Claude d'Urfé (1501-1558). In the 19th century, the work came into the possession of the philologist Wilhelm Wackernagel (1806-1869), who donated it to the University Library Basel in 1843.
Online Since: 10/04/2018
From the colophon (Finitus est liber Iste feria secunda Post festum Concepcionis virginis Marie. Anno domini 1498. Per fratrem iohannem Coci Conuentualem huius monastery. Iiij ydus decembris Laus deo, f. 186r), it can be inferred that this Psalter was written by Johannes Koch (mentioned in the Fischinger necrology and documented between 1498 and 1514, parish priest in Bichelsee (TG) from 1483 on) and that it was finished in 1498. It is striking that the writing on ff. 98r-110r was traced with black ink by a later hand. The paper pages with a hymn (ff. 187r-188v) were probably added later. The pages of musical notes have 5 red lines with German plainsong notation (“Hufnagelnotation"). The manuscript also has a simple red title (f. 1r): Incipit psalterium in nomine domini, immediately followed by a listing of the workdays. Headings are also kept in red. The front and back covers show the imprint of the former pastedowns. The contemporary yellow leather binding with Renaissance press patterns from the 15th and 16th century has two clasps as well as corner fittings. In addition, the front cover bears an 18th century paper label that unmistakably refers to the Benedictine Fischingen Abbey with the shelfmark C:XV. S:13. Notat: 10.
Online Since: 12/10/2020
This gradual contains the most important chants for the Mass throughout the liturgical year and for the saints. They are in Hufnagel notation. The graphic relation of text to melody is not always clear.
Online Since: 11/10/2016
This Ritual contains a collection of benedictions and rites for the sacraments. The main part contains the most important benedictions during the liturgical year. Also included are the rite of baptism, the churching of women, the blessing for bridal couples and the sacraments for the sick. A separate part contains the benedictions for the various rooms of a monastery.
Online Since: 11/10/2016
Handwritten fragment of the hymn Gloria in excelsis Deo from the 15th century. The final part has survived with [mise]rere nobis. Quoniam tu solus Sanctus, tu solus Dominus, tu solus Altissimus, Iesu Christe, cum Sancto Spiritu: in gloria Dei Patris. Amen.
Online Since: 09/26/2017
15th century parchment missal, made for Bishop Johann von Venningen (1458-1478). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this missal. This manuscript was created at the same time as ms. 2 and ms. 3. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover. For convenience, the order of the Ordo and the Canon was changed. Originally meant to be at the beginning of the manuscript, they were finally placed in the middle.
Online Since: 04/09/2014
Pontifical of Johann von Venningen, Bischop of Basel (1458-1478), produced at his request (first part). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this Pontifical. This manuscript was created at the same time as ms. 1 and ms. 3. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover.
Online Since: 04/09/2014
Pontifical of Johann von Venningen, Bischop of Basel (1458-1478), produced at his request (second part). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this Pontifical. This manuscript was created at the same time as ms. 1 and ms. 2. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover.
Online Since: 04/09/2014
Missal following the liturgical custom of the Diocese of Basel, commissioned by Christoph of Utenheim, prince-bishop of Basel between 1502 and 1527; he had his coat of arms, crossed with that of the Diocese of Basel, painted in the lower margin of f. 2r. The Canon of the Mass, decorated with a historicized initial depicting the Mass of St. Gregory, is not original but was added later. The border with flower decoration in the side margin and the presumed miniature of the Crucifixion in the beginning were removed.
Online Since: 04/09/2014
Given the liturgy and the presence of the Office for the Saint, this breviary originated in St. Lebuinus Church in Deventer (Netherlands). It belonged to Swibert de Keyserswerth (died after 1551), paternal grandfather of the Dutch organist and composer Jan Pieterszoon Sweelinck (1562-1621).
Online Since: 04/09/2014
The Cantatorium presents selections from the Gradual; it contains music for solo-voice elements of the Mass that are meant to be sung by the cantor. This manuscript from the late 15th century originated in the Abbey of St. Urs at Solothurn and was occasionally used in the parish of Biberist. Particularly noteworthy in this volume are German versions of two hymns.
Online Since: 12/21/2009
The illuminator Claudio Rofferio († ca. 1567) was an Augustinian canon. Originally from the Aosta Valley, he was active in various regions; from 1539 until about 1544 he created a series of illuminated manuscripts for the Cistercian Abbey of Altenberg near Cologne. From about 1550 until after 1560, he worked for various monasteries and religious institutions in Switzerland, such as Beromünster, Muri, Schönenwerd and St. Urban. For Schönenwerd chapter of canons he wrote and illuminated this representative Gradual, dated to the years 1556 and 1559.
Online Since: 06/25/2015
This manuscript, an autograph, contains various writings on the monastic way of life and about monasticism in the past and present. It contains, among others, translations of letters by Saint Jerome and of sermons by Bernard of Clairvaux. These are argumentation aids for disputes with proponents of monasteries and convents.
Online Since: 12/14/2018
Pontifical missal of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript consists of two parts: the first part (p. 5-102) was written by the Wiblingen conventual Simon Rösch, the second part (p. 103-236) was perhaps not added until after the death of Abbot Ulrich Rösch. Only the prefaces (p. 83-102) have melodies in German plainsong notation ("Hufnagelnotation") on 5 lines. There is also the abbot's coat of arms (p. 5) and an image of the crucifixion with medallions of the four evangelists (p. 70). Several pages have book decorations in the form of borders and initials, sometimes with gold leaf.
Online Since: 10/07/2013
Pontifical-missal of the St. Gall Abbot Diethelm Blarer (1530-1564) – the finest 16th century manuscript in Switzerland.
Online Since: 12/31/2005
The manuscript contains principally the chants for the liturgy of the Hours (response and antiphones), and also some chants of the Ordinary (in a part with tropes), hymns, and sequences, and spiritual chants in Latin and German. In all, six chants (p. 87-89, 103, 107) are for two or three voices. In this case, the voices are not noted one under another, but one after another. The spiritual chants are written with a mensural notation, and the other liturgical pieces in German plainsong notation, the so-called German “Hufnagelnotation”.
Online Since: 12/19/2011
The summer portion of a Lectionarium officii containing scripture lessons to be sung by a choir, produced during the 10th century at the Abbey of St. Gall.
Online Since: 12/21/2009
This manuscript probably was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript's principal part consists of a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium), and hymns, followed by the Pater noster, the Credo, biblical Cantica, the Te Deum, a litany und more Cantica. The final part, from fol. 135v, consists of a hymnal, which also contains a Sequence (Cantemus cuncti melodum). Antiphons and hymns have melodies in German plainsong notation("Hufnagelnotation") on 4 or 5 lines. Numerous erasures and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on fol. 1v (a man fighting a dragon and a bird of prey).
Online Since: 10/07/2013
The pontifical vesperal of St. Gall Abbott Diethelm Blarer (1530–1564) contains the prayers, psalms with antiphones and responsories, as well as hymns for the high holidays of the church year. Except for the incipits of the antiphones of the Magnificat, which are written in German plainsong notation (“Hufnagelnotation”) on five lines, the manuscript contains no melodies. The scribe of this volume was Father Heinrich Keller (1518–1567), subprior of the Monastery of St. Gall. The book's decoration - 20 historiated initials and several richly decorated borders with pictures - is the work of an unknown artist from the region of Lake Constance, who also illuminated Cod. Sang. 357 and 442.
Online Since: 06/25/2015
This manuscript was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491) (dating on f. 227r: 1467). Its content corresponds substantially to that of Cod. Sang. 438: a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium) and hymns are followed from f. 148v by Cantica, and from f. 172v by a hymnal. Antiphons and hymns have melodies in German plainsong notation ("Hufnagelnotation") on 4 or 5 lines. Numerous erasures (sometimes extending over several pages) and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on f. 104v (David with a harp).
Online Since: 10/07/2013
Liber Ordinarius from the second quarter of the 15th century with liturgical instructions for the mass of the monks of St. Gall during the presence of reformist monks from the monastery ofHersfeld between 1430 and 1439. The Liber Ordinarius, dated 1432 (p. 36), seems to have been made for the monastery ofSt. Gall following a model from Hersfeld (in the northeast of Hesse); however, some parts are not yet adapted for the monastery ofSt. Gall. The calendar at the beginning of the manuscript can be unambiguously located in St. Gall. Between the various parts of the manuscript, repeatedly there are empty pages.
Online Since: 12/20/2012
This manuscript, probably from a nuns' convent in St. Gall, contains a cycle of prayers and meditations through the liturgical year, beginning with Advent and on through Christmas, Easter, Pentecost to the Assumption of Mary. The visions of the Nativity of Jesus of Saint Bridget of Sweden and a rosary, among others, are interspersed. This codex is written by a single hand which, along with others, can also be found in the sister manuscript Cod. Sang. 510.
Online Since: 10/04/2018
This large-format antiphonary from the Cloister of St. Gall, produced in the year 1544 at the request of Abbot Diethelm Blarer (1530-1564), contains songs to be sung during the liturgy of the hours on holy days throughout the year. The scribe who wrote this volume was the cleric, cathedral organist and calligrapher Fridolin Sicher (1490-1546), the illuminator who made the 22 figured initials and the full-page double illustration at the beginning of the antiphonary is unknown.
Online Since: 12/09/2008
An opulently illustrated large-format gradual containing four-part vocal pieces, from the Cloister of St. Gall, written and illuminated in the year 1562. By order of Prince-Bishop Diethelm Blarer, the Italian Manfred Barbarini Lupus from Correggio composed these challenging vocal pieces, Father Heinrich Keller (1518-1567) wrote the text, and the manuscript illustrator Kaspar Härtli from Lindau on the Bodensee illuminated the first pages with the important holy days of the church year. The volume has richly ornamented borders and numerous miniatures, among them five of full-page size, and contains the heraldic shields of St. Gall monks living at that time; the ornamented pages include many depictions of musical instruments of the period (some of which are no longer known).
Online Since: 12/09/2008
Large-format antiphonary with chants in four parts, written and illuminated between 1562 and 1564. By order of Prince-Abbot Diethelm Blarer (1530-1564), the Italian Manfred Barbarini Lupus from Correggio composed the pieces for four voices - antiphons, responsories, hymns and psalms for the principal feast days of the liturgical year as well as passions according to Matthew, Mark and Luke. Father Heinrich Keller (1518-1567) wrote the text and the illuminator Kaspar Härtli from Lindau on Lake Constance created a full-page All Saints picture with Christ on the cross (f. IVr), as well as a donor portrait with the coats of arms of the then-living members of the St. Gall monastic community (f. 1r).
Online Since: 06/23/2014
This Psalter contains the psalms in liturgical sequence with antiphons, followed by biblical canticles and a hymnal. The codex was written in 1545 (colophon f. 102v) by the organist and calligrapher Fridolin Sicher (1490-1546) by order of Prince Abbot Diethelm Blarer (1530-1564). Large parts were rewritten by numerous later hands, probably after the reform of the liturgy following the Council of Trent. The Psalter contains several figurative initials by an unknown illuminator.
Online Since: 06/23/2014
Antiphonary for the entire church year, written in German plainsong notation (“Hufnagelnotation”) on four lines. The volume probably originated in a French or Burgundian-Flemish Benedictine monastery; at least since about 1510, it has been part of the library of the Monastery of St. Gall. The book decoration consists of several large initials painted in opaque colors with scrolls and numerous cadels decorated with faces or animal motifs.
Online Since: 06/25/2015
Great collection of St. Gallen tropes and sequences by Father Joachim Cuontz († 1515), compiled for Abbot Franz Gaisberg (1504-1529) shortly before the beatification of the St Gall monk Notker Balbulus († 912) in the year of 1513. Important document of late medieval choral history. Many of the melodies are, for the first time in St. Gall, provided with musical notation on five staves.
Online Since: 05/24/2007
This voluminous paper manuscript was written by Gallus Kemli († 1480/81) approximately in the period 1466 to 1476. It transmits tools, compendia, and summaries of theology, canon law, liturgy, and confession and penance, as well as prayers and chants with German Plainchant (Hufnagel) notation for the mass, a rituale, and, finally, further prayers, blessings, sermons and exhortations, partly in Latin and partly in German. The manuscript is bound in a limp wrapper with a red leather cover. Gallus Kemli, monk of Saint Gall, who led an erratic itinerant life outside the abbey, left at his death a large collection of books, including this one.
Online Since: 09/22/2022
This two-part manuscript was written in Italy in the period between the middle of the 13th and the beginning of the 14th century. It preserves writings concerning procedural law, among them the little known Ordo iudiciarius Quoniam ut ait apostolus, as well as finding aids and surveys on decretal law. The manuscript probably came into the possession of the St. Gall citizen Johannes Widembach († 1456) from a Canon from Zurich, and has been held by the Abbey Library at least since the 16th century.
Online Since: 12/18/2014
This manuscript was written in the years 1521 and 1522 by the copyists Regina Sattler, Dorothea von Hertenstein and Elisabeth Schaigenwiler in the Dominican Cloister St. Katharina in St. Gall; it is the only manuscript to transmit the spiritual works of the Dominican Monk Wendelin Fabri (around 1465 - after 1533), who was born in Pforzheim. Between 1510 and1518, while Spiritual (chaplain and confessor) at the Dominican Cloister Zoffingen in Constance, for reading aloud during meals at the cloister, he created spiritual treatises about the Eucharist, about the five loaves of barley bread of the religious and about the fruits of the Holy Mass, the collations of the seven O-Antiphons, as well as the treatises Villicatorius and Prudentia simplex religiosorum. The manuscript came to the monastery library of St. Gall between 1780 and 1782; at the end of the 16th century, it had still been at the Dominican Cloister St. Katharina in Wil.
Online Since: 12/13/2013
This manuscript was written by the St. Gall monk Jakob an der Rüti (1562-1615), probably for private use. The first part (f. 1r-125r) contains responsories for the principal feast days of the liturgical year with melodies in German plainsong notation ("Hufnagelnotation") and often with directions for processions. These are followed by directions regarding the location of certain Vespers (f. 126r-128r), more directions on the order of processions f. 128v-136v), melodies for the doxology (f. 139r-140v), directions for the Vespers of the boy abbot (abbas scholasticus) on the Feast Day of St. John the Baptist and on the eve of the Feast of the Circumcision (f. 140v-147v), as well as prayers for processions (f. 150r-155v). Jakob an der Rüti decorated the manuscript with several somewhat clumsy pen sketches and borders (full-page decoration f. 1r, 58v-59r and 77v-78r, also representations of figures in initials). On f. 126r he gives his name in initials (F.I.A.R.), on f. 125r his name is written out (erased, legible under UV-light: Per me fratrem Jacobum An der Rüti …um Anno 1582).
Online Since: 06/23/2014
Pontifical vesperal of St. Gall Prince-Abbott Cölestin Sfondrati (Abbot 1687–1696). It was found in 1846 among the books of St. Gall friar Notker Hager († 1836). This volume contains the chants for Vespers (antiphones and hymns) for the Feasts of Jesus Christ and for the saints' feast days throughout the church year. Only the incipits are each written in German plainsong notation (“Hufnagelnotation”) on five lines. Each feast is decorated with initials in the style of grotesques and with several marginal miniatures (on p. 56 is the oldest colored view of the Monastery of St. Gall). The volume is divided into Proprium de tempore (pp. 1–30), Proprium sanctorum (pp. 31–63), Commune sanctorum (pp. 64–74) and Festum sanctorum reliquiarum monasterii sancti Galli (pp. 75–77).
Online Since: 06/25/2015
This large-format manuscript, which forms a unit with Cod. Sang. 1758, itself consists of two parts. The first part (p. 1-214) from 1473 (dating in the initial on p. 1) was completed in the 16th/17th century. Both parts, however, are not complete; furthermore, multiple pieces have been deleted and replaced with other pieces. The volume contains chants for the Mass – Proprium de sanctis, Commune sanctorum, Ordinarium missae (partially troped), Sequences and Tractus– in German plainsong notation ("Hufnagelnotation") in a five line-system. Together with Cod. Sang. 1758, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of borders and initials, sometimes with figurative representations. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
Winter portion of a large-format antiphonary in two volumes (summer portion in Cod. Sang. 1760) for the Liturgy of the Hours of the monks of St. Gall, written around 1770 by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with especially splendid baroque brass fittings, contains the chants of the monks of St. Gall for the feasts of Jesus Christ and of the saints between the first Sunday of Advent and the Feast of the Ascension. It is divided into the parts Proprium de tempore (pp. 1−357), Proprium sanctorum (pp. 358−500) and Commune sanctorum (pp. 501−559). These are followed by suffrages and by antiphons and responsories for workdays (pp. 560−616). Chants for the feast days of the Archangel Gabriel and of St. Scholastica are added (pp. 617−626). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Summer portion of a large-format antiphonary in two volumes (winter portion in Cod. Sang. 1759) for the Liturgy of the Hours of the monks of St. Gall, written in the year 1770 (chronogram in silver on the frontispiece) by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with splendid baroque brass fittings, contains the chants of the monks of St. Gall for the Liturgy of the Hours on feasts of Jesus Christ and of the saints between Pentecost and the last Sunday after Pentecost. It contains the parts Proprium de tempore (pp. 1−113), Proprium sanctorum (pp. 114−353) and Commune sanctorum (pp. 354−400). These are followed by suffrages and by antiphons and responsories for workdays (pp. 401−431). Chants for the feast days of St. Joachim and of the Archangel Raphael are added (pp. 432−440). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Winter part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other volumes are preserved in Cod. Sang. 1763, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coat-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 45, 48, 53, 101, 104, 162, 178, 202 and 214. The winter part includes the Proprium de tempore for the first of Advent until Ash Wednesday (pp. 1–161), the Proprium de Sanctis for November until February (pp. 162–213), the Commune Sanctorum (pp. 214–251), votive Masses (pp. 252–272) and Antiphonae feriales (pp. 272–297).
Online Since: 03/22/2018
Spring part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. More decorated title cartouches are on p. 68, 87, 106, 123, 179, 206, 260, 271 and 307. The spring part includes the Proprium de tempore from Ash Wednesday to Ascension Day (pp. 1–205), the Proprium de sanctis from the end of February to May (pp. 206–306), the Commune sanctorum (pp. 307–338), Offices in honor of St. Benedict (on Tuesdays, pp. 339-343) and the Virgin Mary (on Saturdays, pp. 344-347), Suffragia sanctorum (pp. 348–352), and antiphons and responsories for weekdays (pp. 352–384). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Summer part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1763 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coats-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 36, 43, 122, 202 and 241. The summer part includes the Proprium de tempore from Pentecost until the 16th Sunday after Pentecost (pp. 1–121), the Proprium de sanctis from June to August (pp. 122–240), the Commune sanctorum (pp. 241–269), Offices for the consecration of the church (pp. 270–273), in honor of St. Benedict (on Tuesdays, pp. 274–279) and the Virgin Mary (on Saturdays, pp. 280-285), Suffragia sanctorum (pp. 286–289) and antiphons for weekdays (pp. 290–297). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Graduale de tempore, commissioned by Prince-Abbot Franz Gaisberg (1504–1529, coat of arms p. 1) and illuminated by the book illustrator Nikolaus Bertschi from Augsburg (initials, miniatures and borders with vine scrolls and animals). The banderole on p. 55, which ends with etc. 156, may give a (false) indication regarding the dating (1506 or 1516?). The chants for the Mass are written in German plainsong notation (“Hufnagelnotation”) on a five line staff. This codex is the largest of the St. Gall Abbey library's manuscripts. Originally it was even larger; for re-binding, the pages were severely trimmed, as can be discerned from the folded lower margin on p. 1 or from the trimmed border on p. 444. Binding with heavy fittings on a red velvet background.
Online Since: 06/22/2017
Winter part of a large-format antiphonary, written and decorated by Fr. David Schaller (1581–1636). The summer part is contained in Cod. Sang. 1769. In the beginning there is a calendar for January to April and for December (pp. 4-8), followed by the Proprium de tempore (pp. 9–285), the Proprium de sanctis (pp. 291–377) and the Commune sanctorum (pp. 387–451). The title page consists of a full-page miniature, which represents the Lactatio sancti Bernardi in the upper third, and in the lower third it shows Gallus and Otmar flanking the coat-of-arms of the Princely Abbey of St. Gall under Abbot Bernhard Müller (1594–1630). There are several large initials in gold leaf on colorful backgrounds decorated with vine scrolls and with borders in the margins (p. 9, 63, 109, 244, 291, 345 and 387). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Summer part of a large-format antiphonary, written by Fr. David Schaller (1581–1636). The winter part is contained in Cod. Sang. 1768. In the beginning there is a calendar for April to November (pp. A-6), followed by the Proprium de tempore (pp. 7–191), the Proprium de sanctis (pp. 195–425), the Commune sanctorum (pp. 429–495), and antiphons for Compline (pp. 497–499). There are two responsories (pp. 501, 503) on attached leaves of paper. The decoration is limited to ornate Lombard initials. The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Autumn part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1763 and 1764, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. More decorated title cartouches on p. 1, 36, 73, 118, 151, 203 and 266. The end page on p. 360 has a chronogram (1762). The autumn part includes the Proprium de tempore for Saturdays from the end of August and for the 11th to the 24th Sunday after Pentecost, (pp. 1–30), antiphons for the 3rd to the 6th Sunday after Epiphany (pp. 31–36), the Proprium de sanctis for September to November (pp. 36–265), the Commune sanctorum (pp. 266–305), Offices for the consecration of the church (pp. 306–311), in honor of St. Benedict (on Tuesdays, pp. 312–319) and the Virgin Mary (on Saturdays, pp. 319–326), Suffragia sanctorum (pp. 326–331) and antiphons for weekdays (pp. 332–359). The end page is followed by the Feast of the Archangel Raphael (pp. 361–365). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
This vesperal in a distinguished binding was commissioned by Prince-Abbot Beda Angehrn (1767−1796); it was written in 1774 by Joseph Adam Bürke (chronogram with the name of the scribe on p. 92), an alumnus of the Gymnasium (preparatory school) of Neu St. Johann that was led by St. Gall monks, and richly illustrated by Father Notker Grögle (1740−1816). The volume contains the incipits of the chants for Vespers (antiphons and hymns), written in German plainsong notation (“Hufnagelnotation”) on five lines, for the feasts of Jesus Christ and of the saints for the entire liturgical year. It is divided into the parts Proprium de tempore (pp. 1−36), Proprium sanctorum (pp. 37−80) and Commune sanctorum (pp. 81−92). This manuscript was held in the choir library of St. Gallen Cathedral until 1989. Then it was transferred to the archives of the cathedral parish of St. Gall, and in 2014 it came to the Abbey Library of St. Gall. The volume, which consisted of 96 pages in 1774, was certainly used for the liturgy in the Cathedral of St. Gall until the 1930s. The mostly handwritten additions and supplements (after p. 97) date from the 19th century. Also glued and bound into the volume are texts from unspecified printed liturgical publications of the 19th and early 20th century. Noteworthy among the illustrations is the oldest pictorial depiction to date of the newly built “Gallusmünster”, today the Cathedral of St. Gall (p. 72). On the flyleaf is the finely drawn coat of arms of Prince-Abbot Beda Angehrn.
Online Since: 09/26/2017
This parchment manuscript written about the end of the 15th century, with musical notation and book decoration, contains the Proprium de tempore (Winter portion, First Sunday of Advent through Good Friday). The text breaks off at the bottom of a page in the Good Friday antiphon, at the end of the third Psalm for Lauds. The antiphonary was held by the St. Gall Dominican convent of St. Katharina, where it may also have been written. The same hand also wrote the convent's manuscript containing the summer portion of the antiphonary (Wil, Dominikanerinnenkloster St. Katharina, M III).
Online Since: 12/21/2010
This manuscript contains a Dominican breviary preceded by a calendar with various necrological annotations. The codex was written by Cordula von Schönau, Dominican at the Abbey of St. Katharina in St. Gall, who signed the inside front cover and wrote the dated ex-libris on the first flyleaf. Cordula von Schönau's hand can also be found in Cod. Sang. 406 of the Abbey Library of Saint Gall, in Ms. 22 of the Leopold-Sophien-Bibliothek in Überlingen, and in Wil in Ms. 3 as well as in several parts of the “Schwesternbuch” (Book of sisters) and of the “Konventsbuch” (Chronicle).
Online Since: 10/04/2018
Collection of doctrinal theology lessons from the biography of Saint Gallus, which could be used to rebut protestant arguments. Author: a St. St. Gall monk of the 16th or 17th century. At the back: a diatribe against the Zurich Catechism, from about 1598.
Online Since: 12/20/2007
The present Codex contains the complete text of the Dialogus (ca. 1110–1120) of Petrus Alfonsi, a converted Jew from Huesca (since 1096 Kingdom of Aragon). The Dialogus is a polemic and apologetic work, introducing (for the time) innovative, in view of the author «rational» argumentation against Jewish religion and Islam. The work spread quickly and had significant influence on Christian polemics especially in the 13th and 14th century.
Online Since: 03/22/2012
Volume 1 in a series originally consisting of eight volumes by the St. St. Gall monk P. Ulrich Aichhaim (1626-1675): collection of Carmina heroica seu epica from the year 1673 containing, among many other texts, descriptions of various countries of Europe in verse, poems about numerous saints and two printed poetic compositions by the Reformed St. Gallen rector David Wetter: Poemata for the St. Gallen City Physician Sebastian Schobinger (1579-1652) on the occasion of the new year, Sangallas, description of the city of St. Gall in Latin verse.
Online Since: 12/20/2007