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A richly illustrated Swiss chronicle in three parts, or books. The newest and most comprehensive book (Part I) contains the origin and history of the Confederation up to the 14th century. The oldest book (Part II) contains a description of the Burgundian wars of the 15th century. The subsequent book (Part III) describes selected events from the history of the Confederation during the 15th and 16th centuries, such as the deposition of Hans Waldmann (1489) and the Battle of Marignano (1515), and contains an illustrated catalog of ordnance captured in the Swabian War of 1499.
Online Since: 11/03/2009
This manuscript, which probably originated in a German-speaking region, contains a Biblia sacra decorated with numerous initials with a gold ground, as well as the short tract entitled De fructibus carnis et spiritus, attributed to Hugo of St. Victor or Conrad of Hirsau, with two schematic diagrams. During the 16th century the richly decorated manuscript was owned by Christoph Silberysen, Abbot of the Cistercian cloister at Wettingen.
Online Since: 11/04/2010
A comprehensive collection of the most important legal records and documents of Wettingen Abbey, written by Peter Numagen in about 1490. The table of contents and prologue are followed by legendary accounts of the abbey's founding and copies of the papal, imperial and regal grants of privilege. It also contains the grant of privilege of the order and copies of records of assorted legal transactions related to ownership of real property. Adorned with the coat of arms of the founding patrons, abbots and benefactors.
Online Since: 04/15/2010
Abridged history of the Habsburgs in rhyming form with pen drawings of the coats of arms of the Habsburg dynasty, including those of the spouses, often presented as combined (allied) coats of arms.
Online Since: 04/14/2008
The family register of the pharmacist Hans Friedrich Eglinger (1608-1675) from Basel provides insights into 17th century pharmacy and its networks. The book contains mostly German, French and Latin sayings by various authors, addressed to Eglinger. In some cases, they are splendidly illustrated. One illustrated entry by Jacobus Mozes on f. 53r depicts a very large mortar in the center. The title page is decorated with a baroque tempera painting.
Online Since: 09/26/2017
This family register of the pharmacist Emmanuel Ryhiner (1592-1635) from Basel provides insights into 17th century pharmacy and the relations among pharmacists. It contains mostly Hebrew, ancient Greek, French and Latin sayings by various authors, addressed to Ryhiner. In some cases, they are splendidly illustrated. The register page dedicated to him by his classmate Matthaeus Colomanus in 1612 dates back to Ryhiner's student days. The picture (242v) of an idealized apothecary shop, open to the street, was created by the miniaturist Johann Sixt Ringle of Basel. It depicts a pharmacist standing in front of shelves abundantly filled with colorful wooden containers, dispensing medication to a lady.
Online Since: 09/26/2017
This incomplete liturgical psalter was made between 1335 and 1350 in Naples. The unusual decorations are the work of the artist Christoforo Orimina. Because the manuscript contains three different coats of arms, the original owner (a member of the Angevin court in Naples) can not be definitively named. After changing hands many times during the 19th and 20th centuries, the manuscript was acquired in 1968 by the owner of the collection "Comites Latentes" ("Hidden Friends") held by the Bibliothèque de Genève.
Online Since: 12/09/2008
Isidore of Seville's “Etimologies” combine an outline of all knowledge with a description of the world. In the beginning, this Basel manuscript differs from the usual text structure. Instead of a division into books, each of the texts about the seven liberal arts Artes liberales is introduced with its own title. The manuscript originated in France and used to belong to the Fulda Monastery, until it came to Basel in the 16th century.
Online Since: 03/19/2015
A "small medicine book for poor people", probably written in the region of Venice/Northern Adriatic Sea; the work, written in Arabic in Hebrewscript, was completed on May 19, 1413, according to the date note. The manuscript was later probably part of a Jewish library that cannot be located more precisely; it was transferred to the Bernese Library at the end of the 18th/beginning of the 19th century, where it was evaluated by the Bernese theology professor Gottlieb Studer (1801-1889).
Online Since: 06/18/2020
The Comedia delle ninfe fiorentine or Ameto, an early work (around 1341) by Boccaccio, recounts the transformation of the rough shepherd Ameto into a virtuous man after overhearing the stories told by seven nymphs, allegories of the virtues. The text is written as a prosimetrum — alternating prose and verse — as is immediately obvious from the single column page-design of the manuscript. Copied on paper without watermark, the manuscript opens with a single initial in watercolor that contains the coats of arms of the Almerici family (f. 2r), the owner of this copy who probably also commissioned it.
Online Since: 09/26/2017
This codex contains De senectute, De amicitia, the Paradoxa ad Brutum by Cicero, the Synonyma by Pseudo-Cicero, and the anonymous treatise De punctorum ordine. It was created in Italy in a humanistic script from the second half of the 15th century. The frontispiece and the intials introducing the various texts are decorated with “bianchi girari;“ on f. 1r the coat of arms with the golden lion rampant on a red background, framed by a laurel wreath, could not be identified.
Online Since: 12/13/2013
This manuscript contains Cicero's speeches, which were copied out in a humanistic script of the 15th century. The book decoration consists of initials with „bianchi girari“ (white vine-stem) on colored background which introduce the various texts, and a frontispiece, the decoration of which extends across the entire page f. 1r. At the center of the bottom margin, surrounded by a laurel wreath, the coat of arms of the Medici family of Florence stands out, covering an even older coat of arms. The manuscript belonged to Cardinal Giovanni Salviati (1490-1553) from Florence and then to the Venetian monk and later manuscript dealer Luigi Celotti (1768-1848).
Online Since: 12/13/2013
This 14th century parchment manuscript preserves the "Historia destructionis Troiae" by Guido de Columnis for posterity. Its 187 miniatures crafted by Giustino da Forlì portray the most important scenes of the Trojan War against a background of the Gothic architecture of Venice. The margins of the manuscript reveal written traces of the collaborative efforts of the copyist and the illuminator: the scribe made notes in Venetian dialect indicating the plan for incorporating a series of miniature illustrations, which were then duly added by the illuminator.
Online Since: 07/31/2007
This parchment manuscript from the time around 1400 contains a work by the Dominican sermonist Jacques de Cessoles, using the game of chess as the allegorical basis for a lesson in morals. The same theme is carried out in 16 accompanying illustrations as well.
Online Since: 12/20/2007
This manuscript contains works by Lactantius, written in an Italian humanistic script in the second half of the 15th century. The book decoration consists of numerous initials with bianchi girari (white vine scroll), with side borders and with a frontispiece decorated along three sides with bianchi girari and with naturalistic elements: birds, butterflies and a donkey. In the bottom margin, two putti hold a laurel wreath surrounding the coat of arms of the person who commissioned the work, a member of the Aragonese royal family of Naples, probably Ferdinand I, King of Naples (1458-1494). An old signature confirms that the manuscript is from the library of the Aragonese Kings of Naples.
Online Since: 04/23/2013
This codex was produced in the opening years of the 16th century. Though it was created at a time when book printing had already proven its usefulness, this manuscript serves to demonstrate a high level of achievement in the calligraphic and illuminatory arts. Copied by Bartolomeo Sanvito, who also produced four other manuscripts of the Canzoniere and the Triumphi by Petrarch, CB 130 was written using a well-balanced, simplified script and refined illuminations. The beginning of the manuscript contains three full-page illustrations on parchment.
Online Since: 03/25/2009
This manuscript contains the Romuleon, a collection of anonymous Latin texts about the history of Rome attributed to Benvenuto da Imola. CB 145 was written in France in about 1440, probably during the lifetime of Charles VII, whose portrait can be found on fol. 6v. There is a series of noteworthy miniatures at the beginning of the manuscript.
Online Since: 03/25/2009
This manuscript produced at the end of the 13th century contains a copy of the Arthurian romance tales in prose: "Estoire del Graal", "Merlin", "Suite Merlin", "Queste del saint Graal", and "Mort le roi Artu". The interpolations used in CB 147 make it a particularly unusual manuscript: the heroes of the Arthurian tales are made to utter translations of the Gospels, Genesis, and various other biblical texts as well as sermons by Maurice de Sully. The manuscript also contains the "Faits de Romains", and a prose version of the "Roman de Troie" not found elsewhere. The plentiful illuminations are executed in a highly unusual style.
Online Since: 07/25/2006
This manuscript contains François Dassy's French translation of Carcel de amor by Diego San Pedro (1437-1498). This translation is also based on Lelio Manfredi's Italian translation, completed in 1513. Diego de San Pedro is a Spanish pre-Renaissance poet and storyteller; perhaps he was of Hebrew origin but converted to Christianity. Carcel de amor, one of his two best-known novellas, is a sentimental romance about the overcoming of passionate love through reason; it was first printed in Seville in 1492 and was translated into many languages. The manuscript is illustrated with 19 vignettes, most of which are surrounded by an architectural frame containing representations of figures in period clothing. This manuscript might have been created for Charles III de Bourbon-Montpensier (Charles de Bourbon) between 1521 and 1527 — his coat of arms is on f. 1v. Before becoming part of the Martin Bodmer collection, the manuscript was owned by the Demidow family, Count Alexis Golowkin and Sir Thomas Philipps.
Online Since: 12/17/2015
This elegant codex, written in humanist cursive, contains the Elegiae by the Latin elegiac poet Tibullus; this text was not very widely distributed in the Middle Ages, but was rediscovered by Italian humanists at the end of the 14th century. The manuscript was written and illuminated in Florence, perhaps for Braccio, a member of the Martelli family, who had his coat of arms added to the title page. Later the manuscript passed into the hands of the Medici family of Florence; they had their coat of arms painted on the front pastedown. In 1968 Martin Bodmer purchased the manuscript from the collection of Thomas Phillipps.
Online Since: 06/25/2015
A luxurious copy of the Life of Aesop, part historical and part legendary, that was compiled around 1300 by Maximos Planudes. These pages once constituted the first part of a manuscript of Aesop's Fables , which today is held primarily in New York. It was written in Florence between 1482 and 1485 by Démétrios Damilas, one of the main scribes at the court of the Medici, for Lorenzo the Magnificent's young son Piero II de' Medici, who was 10-12 years old at the time. On the splendid frontispiece one can recognize the portraits of Planudes and Piero II.
Online Since: 12/17/2015
Exemplar of the so-called Parisian Bible, a pocket Bible which contains the entire text of the Old and the New Testaments in a relatively small format in two columns in small script. The codex was produced around the middle or in the second half of the 13th century in Central or Eastern France. It is distinguished and made luxurious by no fewer than 82 historiated initials and 66 ornamental initials. Noteworthy is the fact that the biblical text shows signs of careful correction and that the psalms are divided into smaller sections according to a scheme, which rules out that it was commissioned by a monastery, but suggests instead that it was commissioned by a secular priest or a layperson. An erased note of ownership suggests that in 1338 this manuscript belonged to the Celestine Monastery Notre-Dame of Ternes (Limoges), perhaps a gift from its founder Roger le Fort, who was the son of the Lord of Ternes and was Archbishop of Bourges in 1343. Before this Bible became part of the collection of Martin Bodmer, it belonged to the collection of Baron Edmond de Rothschild (1845-1935), hence the name “Rothschild-Bibel.”
Online Since: 12/17/2015
This antiphonary with musical notation, whose text corresponds to the Lausanne Ordinary, contains the winter portion of the de Sanctis, the Officium B.M.V. and the Commune Sanctorum. The parchment codex was written between 1510 and 1517 in the workshop of Master Ruprecht (Fabri) in Fribourg by 2 hands (A and B). The book decorations are by Jakob Frank of the Augustinian monastery ofFribourg and an assistant.
Online Since: 12/20/2012
This antiphonary with musical notation, whose text corresponds to the Lausanne Ordinary, contains the winter portion of the de Sanctis, the Officium B.M.V. and the Commune Sanctorum. The parchment codex was written between 1510 and 1517 in the workshop of Master Ruprecht (Fabri) in Fribourg by 2 hands (A and B). The book decorations are by Jakob Frank of the Augustinian monastery ofFribourg and an assistant.
Online Since: 04/09/2014
Paper manuscript containing the Parallel Lives of Plutarch in latin translation. The first page features a golden initial on a background of white vine stem decoration, as well as a coat of arms in the bottom margin, perhaps that of Guiniforte Zazzi, Pavia professor of law; on the sides of the coat of arms can be read the name of Peter Falck (†1519), the Fribourg humanist through whom the manuscript reached Fribourg before becoming part of the library of the Capuchins, and, in 2004, of the University Library.
Online Since: 10/04/2011
A fragmentary gradual for the friars of the Order of the Hermits of Saint Haugustine, copied in 1539 by Jacobus Frank, who is depicted in the bottom margin of 51r. It contains many illuminations with coats-of-arms, mottos and monograms written by different hands from 1538 to 1594. Some of the illuminations have been excised and in some cases then glued back in the codex.
Online Since: 10/04/2011
In this work, written at the end of the 14th century in Valencia, the author describes the universe of angels, inspired by Dionysius the Areopagite's De triplici gerarchia. The text, which was in wide use during the second half of the 15th century, was translated into French and published as a first printed edition in Geneva in the year 1478. The Ms. fr. 5 was illuminated by the Master of the Geneva Boccaccio and contains the coat of arms of Jeanne de Laval, second wife of King René of Anjou.
Online Since: 12/18/2014
The Legenda aurea is one of the most copied texts in all of the medieval Occident. In short texts, it blends sanctoral and temporal celebrations in the course of the year, following the order of the liturgical calendar. Popular not only in Latin but also in the vernacular languages, it had various uses, as a tool for preaching and as a source of moral edification through private reading for the layperson as well as the cleric.
Online Since: 06/25/2015
This history of the Crusades is a translation of Guillaume de Tyr's Historia rerum in partibus transmarinis gestarum into the Flemish French dialect. The manuscript was decorated by Simon Marmion, one of the most significant illumination artists of the 15th century.
Online Since: 12/09/2008
In the 1240s, Frederick II of Hohenstaufen wrote a Latin treatise on falconry (De arte venandi cum avibus), in order to introduce his son Manfred to bird hunting. This treatise, consisting of 6 books, was the subject of a second edition by Manfred, who albeit revised only the first two books. At the beginning of the 14th century, the treatise was translated into French based on a manuscript which today is held in the Vatican and which contains Manfred's additions to the first two books. The French version is preserved in 4 manuscripts, among them the one from Geneva, decorated by the Bruges Master of 1482 ("Maître brugeois de 1482") and his associates.
Online Since: 04/09/2014
Christine de Pisan, a writer and poet of great renoun, was the author of numerous works and was personally involved in the design and production of manuscripts of her works. This hold true for this codex, which contains an account of the building of a utopian city by and for women.
Online Since: 12/09/2008
At the behest of Jeanne de Laval, the wife of King René of Anjou, in 1465 a cleric from Angers produced a prose adaptation of the first version of Guillaume de Deguileville's Pèlerinage de vie humaine. His anonymous work respects the original text and its division into four books. The completely and richly illuminated manuscript is dated to the third quarter of the 15th century.
Online Since: 10/13/2016
According to the calendar and the sanctoral, this missal was meant for the use of St. Pierre Cathedral in Geneva. Produced in the 14th century, the manuscript was restored in the 15th century and increased by several leaves, a sign that it was still in use at this time. An old miniature showing, among others, a crucifixion and a historiated initial depicting Pentecost – both original – was painted over with an image of angels bearing the coat of arms of Geneva (f. 95r). After the Reformation, this missal, together with other books from the Cathedral Chapter, was stored at the city hall (Hôtel de Ville), before it was finally transferred to the Bibliothèque de Genève in 1714.
Online Since: 12/14/2018
Illuminated in a Venetian workshop, this Rituale Romanum was copied during the second half of the 15th century for Archbishop Phillipe de Lévis. It contains the orations according to Roman Rite for various ceremonies such as baptism, purification, marriage, anointing of the sick, last rites, or burials. Carefully written, decorated with colorful floral borders and fine miniatures and augmented with gold leaf, the manuscript is of outstanding quality.
Online Since: 12/13/2013
This sumptuous manuscript contains the Chronicle of Eusebius of Caesarea translated by St. Jerome and presented in columns, together with continuations by Jerome and Prosper of Aquitaine. It was produced in about 1480 in Padua or Venice and was illuminated by Petrus V…, who created a masterful full-page illustration on Fol. 10r. A binding error unfortunately reduces the overall esthetic appeal of the volume: the first and second fascicles have been placed in inverse order.
Online Since: 04/15/2010
With a beautiful binding à la "Du Seuil", this 15th century manuscript contains the Policraticus (The government of the state), a work of reflections on the vanities of courtiers, written by John of Salisbury (1115/1120-1180). It was copied in a careful hand, and the text was decorated with a large miniature showing an author reading his text before the king of France.
Online Since: 12/18/2014
At the request of his friend Othman Lillo Ferducci of Ancona, Gian Mario Filelfo composed the Amyris in the years 1471-1476. This long Latin poem was intended to thank Sultan Mehmet II for having freed Ferducci's brother-in-law, who had been taken prisoner by the Turcs during the capture of Constantinople in 1453. Gian Mario Filelfo had the manuscript decorated in Florence with "bianchi girari” ornamentation, had it bound in Urbino with a very beautiful Italian Renaissance binding, and then gave it to the Duke of Urbino, Federico da Montefeltro, at whose court he was staying in 1477 and 1478.
Online Since: 12/18/2014
This miniature book of hours (11.5 x 7 cm) for use in Rome was probably made in Bourges by the Master of Spencer 6 (active between 1490 and 1510). All 35 full-page and framed miniatures show identical composition, where the main scene, presented in close-up, is complemented with a predella containing small figures. The manuscript's owner, the Naville family of Geneva (coat of arms on f. 1v), donated it to the Bibliothèque de Genève in 1803.
Online Since: 10/04/2018
This volume, which was produced in Italy in the mid to late 15th century, is a collection of letters, bringing together letters by Phalaris, Diogenes of Sinope and Brutus, who were regarded in the middle ages as the true authors of these letters. They were translated into Latin by Francesco Griffolini Aretino and Ranuccio of Arezzo. A decorative illustration in bianchi girari (entwined white vine style) is found at the beginning of the section by each author. Two fragments of De officiis ministrorum by St. Ambrose are found at the end of the volume.
Online Since: 04/15/2010
Othon de Grandson, knight and poet, distinguished himself both through his verses and through his heroic deeds during the Hundred Years War. He was an adviser to Count Amadeus VII of Savoy. After the death of the count, he fled to England. After his return to the land of Vaud he died in an ordeal by battle in the form of a duel in Bourg-en-Bresse in the year 1397. Othon de Grandson probably wrote his poetic works between 1366 and 1372. This collection volume also contains ballads by thirteen different authors.
Online Since: 03/31/2011
This work by brother Alonso de Oropesa OSH († 1469) must be considered in the context of the attacks on converted Jews in Spain (and above all in Toledo), the so-called conversos. As a general of the Order of the Hieronymites (since 1457), but also as a close confidant and adviser of King Henry IV of Castile (1454-1474), Alonso advocated a tolerant attitude towards converted Jews. In 1450, he began writing the 'Lumen ad revelationem gentium et gloria plebis Dei Israel' - De unitate fidei et de concordia et pacifica equalitate fidelium (f. 1-203, Tabula 204-207); in 1465, he dedicated the completed book of 52 chapters to the Archbishop Alfonso Carrillo of Toledo (1410-1485). The announced second part of the work apparently was never written.In 1979, Luis A. Diaz y Diaz prepared a Spanish translation based on the three manuscripts then known. The present manuscript has not yet been acknowledged in research; it thus constitutes the fourth manuscript known so far. It was certainly written still in the 15th century and is made up of parchment and paper leaves. Despite its significance, no Latin text edition of the work has yet been prepared.
Online Since: 12/17/2015
Pontifical of Johann von Venningen, Bischop of Basel (1458-1478), produced at his request (first part). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this Pontifical. This manuscript was created at the same time as ms. 1 and ms. 3. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover.
Online Since: 04/09/2014
15th century Pontifical. The ceremonies are represented as full page miniatures with ornamental initials, marginal decorations and several lines of text on the model of books of hours; in the text there are many colorful borders and ornamental initials, often with depictions of the liturgical objects mentioned in the text. In addition to the frequently recurring coat of arms of Melchior von Lichtenfels, Archbishop of Basel (1554-1575), there is the coat of arms of Charles de Neufchâtel, Archbishop of Besançon (1463-1498; visible on f. 1r), which gives an indication of the manuscript's date of origin. As many other manuscripts from religious institutions, this manuscript came into the possession of the Jesuit College of Porrentruy during the French Revolution, until in the 20th century it became part of the collection of the Library of the Canton of Jura.
Online Since: 09/23/2014
This breviary was meant for use in the diocese of Basel. There are still partially visible traces of coats of arms that were painted on ff. 33r, 41r, 129r and 279r and were later erased; these allow the codex to be attributed to Arnold of Rotberg, Bishop of Basel from 1451 to 1458. His successor, Jean de Venningen (1458-1478) noted on f. 5r the repurchase of the manuscript from Porrentruy Castle on June 29th 1461.
Online Since: 03/17/2016
This composite manuscript is dated 1839 (p. V2) and contains texts about the history of the abbeys of Bellelay and Lucelle; it was compiled by Joseph Trouillat when he was librarian at the college of Porrentruy: De Bellegagiensi monasterio (pp. 1-7); Relation de l'invation de l'abbaye de Bellelay par les troupes françaises 15 novembre 1797 par le père Voirol - this name was crossed out and replaced by that of Marcel Helg, former monk at Bellelay (pp. 8-61); Notes diverses sur Bellelay by Father Voirol (pp. 61-102), followed by seal impressions and coats of arms pasted on (p. 105) or painted (pp. 111, 113, 115, 117); Notes sur l'ancienne abbaye de Lucelle, in Latin with notes in French and with painted coats of arms of various abbots (pp. 121-220) as well as affixed seals (p. 192) and a wax seal (p. 208); various French translations of Latin documents, carried out by abbot Grégoire Voirol (pp. 221-236).
Online Since: 06/14/2018
This manuscript by the Italian architect and town planner Guiseppe Valadier (1762-1839) vividly illustrates various aspects of architecture and technology. The manuscript contains 127 panels of pen and ink drawings in vivid colors that were created before 1828 (Tav. CI to Tav. CCXXXV, many panels are missing). Partly the panels are grouped thematically by material (e.g., wood (fol. 1r-8r), iron (fol. 9r-24r), copper (fol. 25r-31r), bronze (fol. 32r-58r)), partly by construction themes (e.g., construction of walls fol. 103r-117r). These drawings served as models for part of the total of about 320 panels presented in the two volumes of panels of Valadier's work „L'architettura pratica dettata nella scuola e cattedra dell'insigne Accademia di San Luca“, printed in Rome in 1828-33 and based on lectures he had given at the Accademia di San Luca in Rome. The numbering of the panels in the manuscript corresponds to that in the printed work. — The manuscript was purchased in Italy in 1956.
Online Since: 10/08/2015
This large-format manuscript (the translation of the Russian title is “Bridge-building project across the Neva River to accommodate the passage of ships at all times, 1802”) presents a bridge-building project across the Neva River in St. Petersburg. Following the title page with a decorative frame in a gray color wash (fol. 2) and the table of contents (fol. 3), there are twelve panels of watercolored drawings that give an overview and a detailed view of the project. Seven illustrations are two-sided, one of them has a fold-out page. All texts in this manuscript are in Russian and in Cyrillic script. — The bridge was designed by Charles Baird (1766–1843), a Scottish engineer who had set up a business for metal casting, machine construction and shipbuilding in St. Petersburg and who had built a cast-iron bridge nearby in 1805/06. The manuscript's bridge project, however, calls for a combination of a floating bridge and a drawbridge: the floating bridge, resting on pontoons, splits into two branches, which end in two drawbridges near the shore (fol. 4a-5), so that it is possible to cross the bridge even while a ship passes beneath it. Other panels show, for example, the lifting mechanism hidden in the pillars (fol. 14a, 16, 17) and one of the boat-like pontoons anchored in the bed of the Neva River (fol. 20a-21). – The manuscript was purchased in Copenhagen in 1978.
Online Since: 10/08/2015
Compiled in 1593 by Felix Schmid from Stein am Rhein, this composite manuscript contains, among other items, the richly illustrated alchemistic treatise Splendor solis, various works by Paracelsus and Leonhard Thurneisser zum Thurn, and other alchemistic writings. Noteworthy is the binding by Hans Ludwig Brem from Lindau am Bodensee.
Online Since: 10/08/2015
Pontifical missal of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript consists of two parts: the first part (p. 5-102) was written by the Wiblingen conventual Simon Rösch, the second part (p. 103-236) was perhaps not added until after the death of Abbot Ulrich Rösch. Only the prefaces (p. 83-102) have melodies in German plainsong notation ("Hufnagelnotation") on 5 lines. There is also the abbot's coat of arms (p. 5) and an image of the crucifixion with medallions of the four evangelists (p. 70). Several pages have book decorations in the form of borders and initials, sometimes with gold leaf.
Online Since: 10/07/2013
A volume of the Gospels, made to order for an unknown customer in about 1470/1480, possibly in the workshop of the book illustrator Rudolf Stahel of Konstanz. It contains Latin Gospel readings for the most important holy days of the church year. Illustrated by at least two artists with 21 full-page illustrations, including the symbols of the four evangelists and representations of the most important holy days throughout the year. In 1658 the volume was presented by the court official Fidel von Thurn to Abbot Gallus Alt (1654-1687) and decorated by a book illuminator with his crest.
Online Since: 12/09/2008
A volume of canonical readings for the mass, opulently illuminated for Bishop of Augsburg Marquard von Berg (1575-11591), with a heraldic crest page, a full-page miniature, many scenes along the lower margin representing the important holy days of the church year, and artful flowers and flowerlike ornaments, possibly by Nurnberg book illustrator Sebastian Glockendon the Younger. The manuscript came into the possession of soldiers during the Thirty Years War and was later sold to the St. St. Gall monk and Vicar of Wil, Bernhard Hartmann, who presented it in 1641 to St. Gall Abbot-Bishop Pius Reher (1630-1654).
Online Since: 12/09/2008
Ritual for the personal use of Prince-Abbot of St. Gall Diethelm Blarer (1530−1564; cf. his coat of arms on p. 8 and the stamp for his personal library on p. 7); written by the St. Gall monk Heinrich Keller (1518−1567) and illustrated around 1555 by an unknown illuminator from the area of Lake Constance. The St. Gall manuscripts Cod. Sang. 357 and Cod. Sang. 439 were illuminated by this same artist at the same time. The small-format volume contains liturgical texts on the administration of the sacrament of baptism (pp. 9-107), on the readmission of a woman into the circle of believers after giving birth (pp. 107-114), on marriage (pp. 114-141), as well as on the distribution of wine on October 16th, the feast day of Saint Gall, the founder of St. Gall (pp. 144a-154).
Online Since: 09/23/2014
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany. Cod. Sang. 539 contains the seven possible rules for the holidays of the Christmas season (which do not depend on the date of Easter) until the Vigil of Epiphany. The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: on p. 4 a full-page miniature, on pp. 5, 21, 37, 53, 69, 85 and 101 initials in opaque colors (partly on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by Fridolin Sicher, St. Gallen cathedral organist.
Online Since: 09/26/2017
Lectionary for feast days of saints, written at least partially by St. Gall Abbey Librarian Anton Vogt (around 1486-1529), by order of Prince-Abbot Franz Gaisberg (1504-1529). The illumination (scrolls with flowers and animals, numerous ornamental initials, among them six portrayals of figures) is by the illuminator Nikolaus Bertschi from Augsburg. A calendar (f. Ir-Xv) precedes the lectionary (f. 1r-130r), which then is followed by readings for the commemoratio of the patron saints of St. Gall and of Mary, and by collects for feast days of saints.
Online Since: 06/23/2014
Large-format antiphonary with chants in four parts, written and illuminated between 1562 and 1564. By order of Prince-Abbot Diethelm Blarer (1530-1564), the Italian Manfred Barbarini Lupus from Correggio composed the pieces for four voices - antiphons, responsories, hymns and psalms for the principal feast days of the liturgical year as well as passions according to Matthew, Mark and Luke. Father Heinrich Keller (1518-1567) wrote the text and the illuminator Kaspar Härtli from Lindau on Lake Constance created a full-page All Saints picture with Christ on the cross (f. IVr), as well as a donor portrait with the coats of arms of the then-living members of the St. Gall monastic community (f. 1r).
Online Since: 06/23/2014
This manuscript, named after the person who commissioned it, Abbot Franz Gaisberg (abbot 1504-1529), contains assorted historiographic and hagiographic texts: a history of the abbots of St. Gall with coats of arms, epitaphs of St. Gall abbots and monks, the history of the St. Gall abbey (Casus sancti Galli) for the years 1200-1232 by Konrad von Fabaria, the anonymous Vita of Notker Balbulus († 912), together with a copy of the records of his beatification process in 1513 and the legends of saints Constantius, Minias, and Roch. The codex was written by the organist and calligrapher Fridolin Sicher of the St. Gall Abbey (1490-1546).
Online Since: 03/31/2011
The oldest copy of the Chronicle of Konstanz by Gebhard Dacher, made between 1458 and 1472 by the author himself and illustrated with a series of colored pen sketches, among them the oldest known view of the city of Konstanz. Obtained by the Abbey Library of St. Gall in the 18th century, at the latest.
Online Since: 07/31/2009
The Carolingian Plan of St. Gall is the oldest surviving architectural drawing of the Western world, and thus it is a monument of European cultural history. It consists of five pieces of sheep parchment, sewn together, and later folded to quarto format. On the front, there is an orginal plan of a monastery complex with 52 buildings, 333 explanatory annotations in Latin, and a letter of dedication. Probably based on models, it was created at Reichenau under Abbot Heito or Erlebald for (Abbot?) Gozbert of St. Gall (819 or around 827/830); annotations were added by the Librarian Reginbert and a younger brother. On the formerly blank back side (and on the erasure at the lower left on the front), was added the Vita beati Martini episcopi based on Sulpicius Severus (created in St. Gall at the end of the 12th century).
Online Since: 03/20/2014
Winter part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other volumes are preserved in Cod. Sang. 1763, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coat-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 45, 48, 53, 101, 104, 162, 178, 202 and 214. The winter part includes the Proprium de tempore for the first of Advent until Ash Wednesday (pp. 1–161), the Proprium de Sanctis for November until February (pp. 162–213), the Commune Sanctorum (pp. 214–251), votive Masses (pp. 252–272) and Antiphonae feriales (pp. 272–297).
Online Since: 03/22/2018
This small-format volume contains two written works by the hand of Mathias Jansen, as attested by a 1774 colophon on p. 201. On pp. 7-39, Jansen gives a kind of inventory of the paintings of St. Gallen Cathedral, describing each vault and field. Page 20 contains a report on the improvement of a painting representing St. Otmar and other saints.The second work, on pp. 40-201, collects historical reports about the life, the afterlife and the cult of St. Otmar, which take the form of log entries recording decisions as well as preparations for and the process of actions related to the cult of the saint, such as the elevation of the remains of St. Otmar in 1773/1774. On p. 99, there is a drawing of a decorated altar. Pages 202-207 contain later additions from 1823 or shortly thereafter. On p. 39 and p. 202 there are sporadic entries (after 1823) about the bas-reliefs by the sculptor Johann Christian Wentzinger, on p. 39 also about the new paintings by the artist Antonio Moretto in the choir. Pages 1-6 and 208-236 are blank. According to a note on the inside of the front cover, this book, originally from the Notkersegg Convent of Capuchin nuns, became the property of St. Gall Bishop Greith probably around 1852. Since 1930 it has been held in the Abbey Library as a deposit of the episcopal library.
Online Since: 06/13/2019
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
A facsimile has been published with the title Vom Einfluß der Gestirne auf die Gesundheit und den Charakter des Menschen, emphasizing the most important, astrological aspect of the work. Human beings and the cosmos are closely connected, and the seven planets – Saturn, Jupiter, Mars, the sun, Venus, Mercury and the moon – have an immediate effect on people. The manuscript, richly decorated with pictures, was commissioned by Erasmus and Dorothea Schurstab from Nuremberg (1v donation picture with coat of arms and depiction of the Crucifixion on a gold background). In 1774 Johann Jakob Zoller from Baden donated the manuscript to the City Library of Zürich, which was founded in 1629.
Online Since: 06/09/2011